Nate Richard

It's not groundbreaking, nor is it going to live in the ranks of the greatest sports comedies of all time. But it offers enough laughs and charm to keep you entertained for much longer than a pickleball match.

This is a summer blockbuster made for cinephiles, with no IP attachment and no overreliance on obvious Easter eggs. Even if you aren't entirely in awe of what Spielberg and Koepp have cooked up, there is still plenty to be impressed by. As a Spielberg devotee, Disclosure Day gave me exactly what I wanted from his return to the alien movie.

Outcome is clearly coming from a personal place for Hill. It doesn't come across as too bitter or full of self-pity, but the point of the movie is never made fully clear. It moves at too quick a pace to leave much of an impact, and it's a bit of a tonal nightmare.

Tow isn't a movie that anyone will outright hate, but it squanders so much of its potential that it fails to deliver the important message that it wants to share.

It's got the heart, humor, and wonderful animation to keep you entertained this holiday weekend.

Cold Storage is a far better movie than you'd expect, thanks to its clever script, committed cast, and energetic direction. If you are hankering to watch more of Joe Keery battling monsters in the wake of the Stranger Things finale, this is just what the doctor ordered.

Iron Lung is far from a perfect movie, and the pacing ultimately makes the conclusion feel exhausting rather than exhilarating or shocking. You'll be ready to leave once the credits roll. Yet, the craftsmanship is there; with his directorial debut, Fischbach shows that he's more than just a YouTuber, and he can conjure up the same kinds of scares that make him scream as he's playing games.

It's another perfect excuse to shove popcorn in your face as you cheer watching Statham beat some people up.

For all of its dourness, there is still a bit of entertainment to be found. It's just too bad the film is taking itself far too seriously.

The Plague, at times, can be too grueling a watch, especially in its graphic depiction of self-harm. It's also one of the most vital movies in recent memory in capturing what it's like to be 12 or 13 years old.