warrenworld

The new update is hardly what people want to see. Since the trio's best trait is slapstick, however, the Farrelly brothers are well-experienced to do justice on that front. This is pretty much the best we'll ever get, and we'll be glad to go along with it.

Welcome to Waterworld, where men need to have long haircuts, women need to have short haircuts, and Kevin Costner acts like a total **** for over two hours.

So far in my life, my past illnesses include a stomach virus, a case of pink-eye, a case of the flu, and two sinus infections. All of those combined were more enjoyable than watching this movie.

By continuing Michael Corleone's story AND traveling back to Vito's timeline, this film is one of the only sequels that can match its predecessor. This and The Dark Knight alone.

The truth about True Romance is very simple. On the outside: a lot of violence and sexual content. Take a deeper look, and you find a well-written love story.

With a lot of filthy language dragging down some of today's motion pictures, we look to the silents now more than ever as a breath of fresh air. This film is an excellent throwback to the golden times.

The Dark Knight Trilogy makes it to the finish line, bucking the system of many superhero trilogies, along with a couple of high-profiled ones as well.

This movie isn't actually "pitch-perfect" (no pun intended), but the comedic talents from cast members like Anna Kendrick and Rebel Wilson help this film hit the right note

So, in Part 1, Bella finally marries Edward, has his baby, and becomes a vampire. What are they going to do for Part 2? With all the main objectives already out of the way, Part 2 is pretty much a moot point.

A couple of unfunny directors who have made a lot of awful comedy films come together to make one super-unfunny comedy film. That pretty much covers it.

Eddie Murphy supposedly insulted a lot of people with this film: foreigners, racial stereotypes, obese women, nerds, hopeless romantics, animals, intelligent people, and moviegoers. But the one person whose feelings he hurt more than anyone else was his own.

Unlike their past films, Jason Friedberg and Aaron Seltzer are actually attempting satire in this one. They respond to the vampire saga of Twilight and declare their allegiance to the hate camp by naming this movie "Vampires ****". From what we learned, they're actually right on this one. How exactly did they prove their point? By making a poorly-structured film, where vampires are the main subject.

This film presents a great reason why rehab is the thing to do. You go there, pour your feelings out, listen to what the doctors tell you, take the things you need to get healthier, leave there, and try to forget that you ever saw this movie.

Live Free or Die Hard may have been PG-13, but it was still worth watching. If you want to see John McClane at his worst, then this is the movie for you to avoid. This franchise went from completely different to using too much of their old tricks. It stoops to the level of Jason Statham's "Parker" and Sylvester Stallone's "Bullet to the Head", both of which make their main actors look like pedestrians. With a title like "A Good Day To Die Hard", no wonder John McClane is ready for euthanization.

At this point, you know what to expect. Seriously, each movie based on a Nicholas Sparks book is so unoriginal, even the books themselves have turned repetitive. Another thing I've noticed is that they always come out this time of year. Valentine's Day is supposed to be a time to share love between couples, not give the one you love an excuse to end the relationship.

As a Christian myself, I'll be way too bias when it comes to movies in this area. I understand that this film will more likely appeal to the Christian audience than the general public, but its heart and intentions are in the right place.

Though it lacks the epicness and lovable qualities of the original trilogy, The Phantom Menace still has a story to tell, as it gets through the journey against those setbacks and offers hope for improvement with the episodes that will follow it.

For the fifth installment, Dom and Brian continue on another two hours or more doing ridiculous car stunts that they've been stereotyped for over the past decade. This time, you ought to give them credit. No one's ever refueled a rusty, old car with double the amount of gasoline.

Cinematography, characters, acting and story carry this film through the most of the way. The only thing that's wrong in there is some of the dialogue.

When I first saw the movie in theatres, I felt disappointed. My first impression of the film is that it didn't have the same excitement as the first film, and I thought the vibe was too different. It was too tough to get around, and with Helen Mirren in the movie, I thought it was a bad sign. The first time I had seen the movie since opening day was earlier this week on Encore. My opinion on this had been a lot better than the first time. I knew there was going to be no way it would be better than the first, so I wasn't expecting much. It actually was just as good as the first. I first thought the direction it was going didn't seem to be good, but I had to trust the film with the plot. It didn't really push any of my buttons and didn't become a dud of a sequel unlike TRANSFORMERS 2!

While Bernie's script contains some dialogue that doesn't truly fit with the pleasant scenery of Carthage, TX, the film also contains a very genuine template and very earnest acting talent that is undeniable.

Though it isn't better than the first three films (then again, what could?), The Crystal Skull never does any real damage and is worth its weight in the popcorn.

Throwing away almost everthing from the first movie without giving it room to grow, this sequel is more of a reset, leaving the Joes no memory of what their mission is.

The direction, acting, and template are just the things that make this a cinematic achievement, even when there are moments of imperfect conversation.

A sappy family flick from first judgment, the entire package is surprisingly an inspiring tale with great performances, which is what the audiences really want to see more often.

Remaking the original went pretty decent, but remaking the sequel was the slip-up. Provides twice the unoriginality in this scenario. They did earn creativity points, though, for getting the mom pregnant as well.

With the same forces from the Adam Sandler films behind this, Here Comes the Boom is your typical filler comedy that contains a choppy plot and corny jokes. However, you feel a lot of the effort and soul that Kevin James put into his role, which makes it difficult to turn away from.

By choosing not to top the one-liners and instead try to expand on the story, Anchorman 2: The Legend Continues not only tops the first film, but it also defies the mold of the comedy sequel.

There are no other actors, no other locations, no other dialogue. All we get is just one guy, one sea, one story. This is the kind of film that needs to be made more often. Everything about it is powerful.

It tells a very moving story about the last hours of a living man in an attempt to reach a wide audience. It's a shame it had to pass up the ethical approach for a cliched template that fails to defend the victim for these actions.

The events that took place in The Amazing Spider-Man 2 are enough to make one question if it was really worth rebooting the Spider-Man series two years ago.

The second sequel to a Jim Carrey film which doesn't feature Jim Carrey serves as a reminder to always practice safe sex. Even an cartoonish alternate personality can get you pregnant.