kango

If you think you've had a hard day, try this... Jackson plays Doyle Gipson, an insurance salesman who is trying to earn his family back. Between attending AA meetings, he is seeking regular access to his two children. Affleck plays Gavin Banek, whose law firm demands he do morally questionable deeds so they can keep earning from their clients. We see their flaws but if there is a difference early on, it is that Gipson wants to do right by everyone while Banek is blinkered into looking after himself. Beginning sharply with a car accident, Banek makes a choice which robs Gipson of something that can't be replaced. Gipson in turn has something Banek desperately needs. As one man's manipulative tactics are used in increasingly desperate measures, the other's wanting to do the right thing quickly evaporates as he is pushed to the brink and beyond. All the action is played out over the course of a day and what a day it is. I've seldom seen so much packed into one 24-hour period that feels as real as this. Things of course move along rapidly. Just when you think a scene may become bogged down in too much talk, one guy makes his move, sparking off the next in the series of clashes. By the end however, both come to ground with a view of themselves they didn't have when they set out that morning. Damage has been done but maybe some can be repaired as two men learn from each other how to be better and move forward. The ending is a very satisfying one. The writing is excellent and moves between moral drama and gritty thriller. It's not all about two men locking horns as their story is interwoven with background to their lives. Whether Banek in discussion with his wife or Gipson having a dilemma in a bar, these scenes add depth but never take away from the intensity. The success of this film is also largely about the two lead performances. Affleck raises his game while Jackson is as charged as ever. He doesn't radiate hugeness as in other roles, but is just as effective in this often broken character. Both ensure their duel is a fascinating one from start to finish.

I am the kind of film viewer who has the knack of losing a plot. Very quickly. So when I came to the end of Basic for the first time, thoroughly confused and befuddled, I supposed it was just me and that I needed to get my brain in gear next time. But it wasn't just me and no amount of brain power seems to help sort fact from fiction in this foggy mystery. Travolta and Nielsen play ex-ranger Tom Hardy and Captain Osbourne who are thrown together to investigate the disappearance of Sgt. West (Jackson) in a training exercise. Cue a baffling maze of twists and turns in which some of the key players are there and then not; some are killed off and then not; one turns out to be **** not? And so on... but you do have to admire Osbourne for sticking it out and unravelling it all at the end. If it was me overseeing this mess, a bottle of wine and a darkened room would be where I was headed. I enjoyed the dark jungle action sequences, Jackson getting mad and the sort of chemistry Travolta and Nielsen had in their roles, but a lot of this was lost in the fog that shrouded much of this film. If like me, you are attracted by the Jackson / Travolta combo, you may be disappointed to find they share about five minutes on screen. Just don't expect to care much about either of their characters by the time it happens.

This is a very well written and often very funny film which doesn't let-up for a second. Cleese, Palin, Kline and Lee-Curtis are magnificent as Precarious, Sexy, Disconnected and Chaotic (you can probably match them up if you've never seen this film before). The fact that two are American and two are English gives the film a clashing, tasty quality that I can't remember seeing anywhere else. Though never all in the same room at the same time, they all rub up against each other at some point in brilliantly positioned scenes that frequently have me in stitches. The roots of this film come from the old English comedies of the 1950's but this is firmly set in the 1980's within the very ordinary and everyday. This all adds to the charm beneath the madness. Gone in 60 Seconds this is not - more bumbling motorbikes than shiny super cars and it is all the better for it. Standouts are too many to mention but I would have to say that Kevin Kline's Otto steals just about every scene he bursts into. He adds more than a bit to the out-of-control element throughout what feels like a series of set-pieces. All useful set-pieces though which flow together as one shimmering crime caper. Not a second is ever wasted. It has been said that someone died of laughter while watching this. If I was to die while watching anything, A Fish Called Wanda would be perfect. Classic English humor with an American twist, this continues to be my favorite comedy of all time.