PrettyGood

An unnecessary second season, but a thrilling guilty pleasure. You can't get bored watching Kidman and Streep fighting.

A tremendous six-hour combination of gritty political drama and thriller makes Bodyguard one of the best dramas of the year. Highly recommended.

The second season stumbles upon itself, failing to match the heights of the first season. The characters became victims of the writing, the plot keeps getting a reset over and over throughout the season, only to culminate with a final episode unable to deliver the season's promise.

Every episode captivates stories and blends genres like no other drama or comedy. The unique way of storytelling opens a new frontier of defining television itself in the era of peak television.

You think you've seen the best of the show and they prove you wrong with the next episode. And that it's admirable due to the core of the show itself. They could've fallen in all kinds of plot traps, but they manage to build unique stories episode after episode.

The fourth season feels different, but every episode gives you a unique movie-like experience. USS Callister and Black Museum are innovative, chilling and terrifying. Hang the DJ is a somewhat heartwarming story, but this is Black Mirror, after all. Arkangel and Metalhead tell a simple story, yet one is devastating and the other intense until the last moment. Crocodile has a Fargo feeling, thrilling and exciting.

Not Curb as its best, but still a great season. It's not just the jokes that make it hilarious, but the cast including Susie Essman, J. B. Smoove, Bob Einstein and also the terrific guest stars.

Don't think of it as a comedy, it ruins your experience. It's a bitter and relaxing story of life. Pamela Adlon is brilliant in portraying a complex woman facing life, family and work. It's a wonderful experience of watching it at the end of your day.

A recycled version of the first season, but still very enjoyable. Entertaining plot, though it feels like something is missing. Improved character development on certain characters. Decent new additions, but they feel unnecessary. The standout of the second season is Noah Schnapp, joined by a group of actors who work well together.

The first season of The Deuce is one of the finest hours you'll see on television this year. The atmosphere, the ensemble, the writing and the directing are top-notch. The cast, led by Gyllenhaal (who shines in it), offers you a thrilling experience. (A must-watch for fans of The Wire.)

One of the most pleasant surprises this year. After watching the first episode, you're immediately obsessed with it, "forced" to binge all 8 episodes in one sitting. Smart. Funny. Entertaining. Addictive.

The seventh season of Once Upon A Time is not just an underwhelming and desperate reboot of the show, but an unnecessary spin-off. Without most of the main characters, it's hard to connect with the new additions. The new incarnations of popular characters (previously introduced) and another worlds and stories are a weak way to rebuild the series.

Like nothing before on television, The Good Place is a witty and original comedy which will make you laugh out loud. Ted Danson and Kristen Bell are brilliant and the supporting cast is very promising. With funny and smart writing, terrific twists and turns, binge-watching is irresistible.

The fifth season on the series disappoints big time. A brilliant show in its first seasons to become a mess like this is a shame. Predictable stories and too close to reality. Robin Wright still shines, while Kevin Spacey plays it safe with his over-dramatic Frank Underwood.

The show thrives when it focuses on a character, but it's predictable and focuses on the most disappointing Defender. The main plot while predictable, it was messy and slow. The villains weren't completely developed. A lot of side characters pulled from their original shows and put in a box together just to have them together on your screen. If you loved all four (yes, including Iron Fist) individual shows, then you will probably enjoy this one, too.

Enjoyable, at best. It had potential, but the result is disappointing. Of course, there are people who would worship this type of show. This is not for you if you're looking for a horror comedy, or even a romantic comedy.

The cinematography, the direction, the acting and the visual effects are spectacular as always, but not the writing. The season took a downfall with poor stories, undeveloped storylines and lack of logic. Instead of taking advantage of the smaller amount of episodes and having more quality, the writers are rushing to finish the final two seasons, satisfying only the so-called "shippers".

The thrilling new season manages to stay in its vein, even without Pablo Escobar. The action-packed episodes, which were the core of the show are still there, compelling and suspenseful. On the other hand, the show still relies on narration and montages as a way of introducing characters and telling the story to the viewer.

The fourth season manages to top the brilliant third season, exploring the cruel reality of today's world. With unique storytelling and sense of humor, excellent character development, BoJack Horseman's fourth season is one of the best this year. Try not to miss the witty jokes throughout each episode and avoid binge-watching (I dare you).