The Fresh Prince of Bel-Air

For all of its frolic and delight, its social observations and conflict make it the television progeny of such substantive sitcoms as "All in the Family." [10 Sept 1990, p.1C]

While Smith's act is G-rated enough to give rap a good name, the show offers a new and not-so-safe perspective of the so-called "black experience" in America. These are not the Jeffersons. These rich people have their pretentions, but they're no fools. [10 Sept 1990, p.C4]

I'm convinced that one reason Fresh Prince's ratings have improved since its debut two years ago is that the series is one of the few on TV that consistently acknowledges a full range of African-American lives — all social and economic classes are represented, and they eye each other with both suspicion and sympathy.

Until the confrontation scene, Fresh Prince coasts along on the considerable charm of Smith, who is making his acting debut at 21. Many shows before it have relied on their stars, but that last scene gives an intriguing insight into what Fresh Prince could be. [9 Sept 1990, p.H1]

Whether clinking crystal to a beat or jiving with the crusty butler, Smith is looked upon by even his detractors with condescending "isn't he something" adoration. Tiresome as that is, Smith's breezy and non-combative charm gives this the look of a winner. Even if, in concept, it's more nap time than rap time. [10 Sept 1990, p.3D]

Perhaps the writers, director Debbie Allen and executive producer Quincy Jones are afraid to show America how rich people in L.A. really live. As for the new arrival's "outrageous" behavior, that consists mainly of using slang expressions, playing a tune on the drinking glasses at the dinner table and wearing a funky tux to the party. Gracious goodness sakes alive, what next??? [10 Sept 1990, p.B1]

It's the old school of ridiculous sitcoms at its worst. [10 Sep 1990]

A classic sitcom done right. No bullcrap, just classic 90s humor on par with 'Allo 'Allo. 4/5 stars.