
Critic Reviews
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48
Metascore
Mixed or Average
positive
2(17%)
mixed
7(58%)
negative
3(25%)
Showing 12 Critic Reviews
70
Smith is a winning TV star who's adept at scenes that require great empathy or a withering stare. Given time (and more realistic characterizations), Hawthorne may grow into a series worthy of her talents.
70
While some subplots are trite (a nurse turns down a paramedic’s romantic overtures, saying she’s “damaged goods"), the premiere hums along whenever Hawthorne is driving it.
60
The pieces are in place for a solid drama-with-humor, the kind that cable channels are serving like aspirin these days. The problem is this show hasn't quite figured out yet how to integrate all the components into a uniform tone and direction.
60
The writing is a bit stilted and predictable, but the show is not unbearable--are some amusing supporting actors and the occasional engrossing medical crisis. As a character study, however, HawthoRNe is weighed down in the pursuit of worthIness.
50
HawthoRNe seems bent on being reverential, complete with musical montages meant to break our hearts. It's not awful, by any means, just too good to be true.
50
The results here are mostly mawkish and predictable.
50
Directed by Mikael Salomon from Masius' script, the debut hour proves busy but not particularly distinctive.
40
The medical drama is so pervasive on TV both past and present that any new one must fight to stand out, and though Hawthorne's nurse angle is fresh, the plots barely reach subpar "St. Elsewhere" territory.
40
What might have otherwise been a worthy effort seems pallid and wheezing compared to the acid-etched Nurse Jackie.
38
The ensemble cast here is flat and one-dimensional--somewhat surprising, since John Masius ("St. Elsewhere") is one of the show's executive producers.