Critic Reviews

The film's not merely content with being a twisty psycho-thriller. Boyle and Hodge expertly tweak and tinker with your sympathies, and the characters you initially peg as heroes and villains may not be in the same place by the time things wrap up.

A devious mind game, Trance is also the most entertaining smart movie so far this year.

This exhilarating brain-twister is a nonstop visual, aural and intellectual delight, steeped in movie conventions and yet fizzing with freshness. It’s what happens when film noir goes out to a rave.

Boyle's filmmaking style has a marvelous rhythm that weaves pop sensibilities into fluid and persistently exciting narrative experiences; he shakes these ingredients like colored sand in a jar, leading a fascinating degree of discombobulation.

Sprinting to the edge of preposterousness and back, this deliriously entertaining day-glo noir of fried brains and blown fuses denotes a director at the top of his game.

Though it rings ever so slightly hollow as cool shades into callousness, this exercise in sexy suspense and brain-scrambling mystery is a dazzling, absorbing entertainment which shows off Danny Boyle’s mastery of complex storytelling and black, black humour.

A frisky, feisty heist flick with brains and charisma, the movie may make a few errors, but they’re forgotten in the blink of an eye thanks to all the twists, turns and close shaves.

The film draws out Danny Boyle's less dazzling commercial side, not to mention his penchant for whirling excess.

For all its plot trickery, mind science and relationship square dancing, Trance doesn’t have the emotional tug or technical pizzaz of Boyle’s best films – “Slumdog Millionaire,” “Trainspotting” or “127 Hours.”

Narratively, Trance is questionable, but Boyle and Hodges whisk past all the unlikely developments with enough verve and style to keep audiences from thinking too hard until after they’ve left the theater.