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SummaryYoko (Atsuko Maeda) travels with a small crew to Uzbekistan to shoot an episode of her travel reality show. In front of the camera, her persona is carefree and happy-go-lucky, but behind the scenes she is cautious and introverted. Despite her best efforts, the filming of the television series ends unsuccessfully, and frustrated by the failure, sh... Read More

Directed By:Kiyoshi Kurosawa

Written By:Kiyoshi Kurosawa

To the Ends of the Earth

Metascore
85
User score
Generally Favorable
7.0
My Score
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Metascore
85
100% Positive
10 Reviews
0% Mixed
0 Reviews
0% Negative
0 Reviews
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  • Positive Reviews
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Jan 24, 2020
100
Slant Magazine
If Kurosawa is less interested in narrative dynamics, it’s because he’s focused on an acute understanding of societally and sociologically conditioned behavior.
Dec 9, 2020
90
The New York Times
Kurosawa’s command of film form gives the movie an embracing magnetism despite its seeming thinness of plot.
User score
Generally Favorable
7.0
63% Positive
5 Ratings
25% Mixed
2 Ratings
13% Negative
1 Rating
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Jan 15, 2021
8
Dan_B
(Español / English) Abstract Español Hasta los confines de la Tierra es una película que acompaña a Yoko, una joven reportera japonesa y su equipo durante la filmación de un documental de viajes para al TV japonesa en Uzbekistán, en el corazón de Asia Central. La película sorprende a cada rato con las inesperadas peripecias de la protagonista y con sus cambios de registro, sin perder nunca su coherencia. [link omitted per site rules] ---------------------- Abstract English To the Ends of the Earth is a film that accompanies Yoko, a young Japanese reporter and her team during the filming of a travel documentary for Japanese TV in Uzbekistan, in the heart of Central Asia. The film surprises at all times with the unexpected adventures of the protagonist and with the changes of her register, without ever losing her coherence. ------------------------ Reseña Español Yoko, una joven reportera japonesa (Atsuko Maeda, actriz y cantante pop) y su equipo recorren Uzbekistán para un programa de viajes de la TV japonesa. La película de Kishoyi Kurosawa tiene bastante de inclasificable. Es un drama, pero con momentos de comedia, algunos de ellos perturbadores, con Yoko pasando por varias situaciones incómodas y a veces insólitas. Hasta los confines… es una película impredecible que sorprende a cada rato con los avatares de su protagonista, con sus consiguientes y necesarios cambios de registro. A pesar de ello, la película conserva su coherencia de principio a fin, en parte por la figura de su protagonista, frágil pero curiosa y resuelta. Ciertos choques culturales, las diferencias de criterio con su equipo, su férreo y tenaz profesionalismo, las vocaciones postergadas y los sueños de Yoko se suman a un registro casi documental de las exóticas locaciones por las que transitan que nunca cae en el pintoresquismo. --------------------------- English Review Yoko, a young Japanese reporter (Atsuko Maeda, actress and pop singer) and her team travel to Uzbekistan for a Japanese TV travel program. Kishoyi Kurosawa's film is quite unclassifiable. It's a drama, but with moments of comedy, some of them disturbing, with Yoko going through various awkward and sometimes unusual situations. Up to the End ... is an unpredictable film that surprises at all times with the vicissitudes of the protagonist of it, with the consequent and necessary changes of registry of her. Despite this, the film retains its coherence from beginning to end, in part because of the figure of her protagonist, fragile but curious and determined. Certain cultural clashes, the differences of opinion with her team, her iron and tenacious professionalism, the postponed vocations and Yoko's dreams add to an almost documentary record of the exotic locations through which they pass that never falls into the picturesqueness.
Apr 18, 2021
7
JLuis_001
Some parts didn't really make sense, like the final stretch where she escapes from the police for no reason. A recurring fear in the main character that never really shows motives, although it's taken as a cliché that all Japanese are like that abroad. But even so, most of this film simply but neatly constructs an absorbing character study. Certainly it depends a lot on the amount in which you can identify with the protagonist, but I feel that even if you do not make a connection with her, her journey is understandable and I think that more than one can feel sympathy for her feeling of unease in a foreign place, where everyone looks at you and identify you as an outsider. It doesn't ground all the concepts it develops, and some argument lines feel artificial for the sake of drama (the fire in Tokyo, and her concern for her boyfriend) but stays steady most of the time, and flows gracefully if not effortlessly.
Jan 24, 2020
90
Slashfilm
Kiyoshi Kurosawa’s To the Ends of the Earth encapsulates one woman’s blossoming from a reserved drone into a willing participant with Maeda’s subtle dynamism from a perpetually placid and pouty countenance to a focused visage.
Dec 14, 2020
88
RogerEbert.com
Trying to explain how this movie works as well as it does, without using excessive jargon or some kind of audiovisual aide, is tricky since “To the Ends of the Earth” isn’t about anything less than its heroine’s uncertain relationship with her foreign environment, and what she chooses to communicate simply by being seen and heard. Which is often thrilling to behold, but not so much to explain.
Dec 19, 2020
80
Los Angeles Times
Despite or perhaps because of its lightly sketched premise, To the Ends of the Earth emerges as the director’s most gracefully assured work in a while, though his natural gift for building tension is still made subtly manifest.
Jan 24, 2020
80
The Hollywood Reporter
A shaggy-seeming but carefully modulated affair, To the Ends of the Earth gradually emerges as an offbeat but persuasive investigation of culture-clashes and the potential for trans-global bridge-building.
Jan 24, 2020
80
CineVue
To the Ends of the Earth is a light, airy and fun journey with flashes of poetry.
See All 10 Critic Reviews
Dec 22, 2020
4
Brent_Marchant
Take one part character study, one part campy comedy (although that may have been unintentional) and a whole vat full of schmaltz and you've got one searing mess of a movie. This Japanese offering about a clueless TV reporter for a cheesy travel show doing segments about life in Uzbekistan has more changes of mood and plot than Baskin-Robbins has flavors. Between her uncanny knack for perpetually failing at her work and finding herself in the wrong parts of town, a compelling but largely inexplicable urge to free a penned-up goat, her seemingly underwhelming romantic feelings for her boyfriend back home (except when it really counts), and an underdeveloped (and somewhat indifferent) attitude toward wanting to fulfill her ambition of becoming a singer, you've got dear, sweet, shrill, naive Yoko (Atsuko Maeda), who has no meaningful or apparent direction in her life (even though she always seems to feel the need to fearfully run wherever it is she's trying to go at the moment). It's pure, unadulterated ambling from start to finish. If anyone can tell me what director Kiyoshi Kurosawa was going for here, please explain it to me.
See All 8 User Reviews
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  • Uzbekkino
  • King Records
  • Loaded Films
  • Tokyo Theatres
Dec 11, 2020
2 h
Asian Film Awards
• 1 Win & 2 Nominations
Locarno Film Festival
• 1 Nomination
Nippon Connection Japanese Film Festival
• 1 Nomination
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