Critic Reviews

Lots of horror films have been described as feeling like something that shouldn’t be watched, something forbidden. This is true of Tinsman Road, but not necessarily because it pushes the extremities of what can or should be portrayed as entertainment. Instead, it feels immensely private, almost as if merely viewing it is intrusive.

As a follow-up to his 2022 cult freak-out The Outwaters, writer-director Robbie Banfitch’s Tinsman Road couldn’t be more impressively different.