The Light of the Moon

The Light of the Moon is a lucid, clinical, and wholly necessary drama about life after rape, and the while the film is far more watchable than it might sound (thanks in large part to Stephanie Beatriz’s rich and involving lead performance), viewers should know what’s in store for them.

The film's concerns are profoundly therapeutic, but it nimbly avoids every therapy-drama cliché.

The frank ways in which Thompson and Beatriz channel Bonnie make it clear that there’s a lot of respect for this complex character navigating life-altering trauma.

[ Jessica M. Thompson’s ] simply-structured film is harrowingly effective in its streamlined, low-frills way: sensitive without ever being sanctimonious, brutally frank without ever lapsing into exploitation.

It’s not for the squeamish, but required viewing for anyone with a conscience and the need for justice.

Despite the strain of what they go through together, Beatriz and Stahl-David have a combustible chemistry together that adds credibility and Thompson clearly has a knack with actors, coaxing sharp, believable performances from all involved — even from actors with relatively small roles.

It’s not a great film, but Beatriz grows in stature as Bonnie searches for firmer footing. She and Stahl create a relationship that feels lived-in and fragile.