Critic Reviews

The story is one of those great mad scientist tales in which the potion invented with the best intentions for its enhancement of human life becomes instead an evil force bent on its destruction. The visual effects here are pretty great - and at first comedic - as the Invisible Man smokes and brawls and rocks in a chair. Oh, but then the horror happens.

Claude Rains' performance in the title role of The Invisible Man may be outtasight, but you can still see the hand of director James Whale.

Few debuts have been as impressive or odd as that made by the voice of Claude Rains in this macabre classic based on the novel by H.G.Wells.

If you set aside Frankenstein as more of a horror film and King Kong as a fantasy, The Invisible Man is the first truly great American science fiction film.

One of the all-time great horror films. [22 Oct 2004, p.11H]

The story makes such superb cinematic material that one wonders that Hollywood did not film it sooner. Now that it has been done, it is a remarkable achievement.

Another Universal classic, based on H.G. Wells' tale of an invisible madman. [13 Aug 2007, p.C6]

James Whale's 1933 film plays more like a British folk comedy than a horror movie; it's full of the same deft character twists that made his Bride of Frankenstein a classic.

This thriller falters between grim humor and silly comedy. Adapted from the II. C. Wells novel, it has an amusing and legitimate British feeling in its early scenes.

The real strengths of the movie are John P Fulton's remarkable special effects (Rains removing his bandages to reveal nothing, footsteps appearing as if by magic in the snow), lending much-needed conviction to the blatant fantasy; and the fact that we never see the scientist without his bandages until the very end of the film.