The Gods Must Be Crazy
Metascore
Generally Favorable
73
User score
Universal Acclaim
8.1
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Metascore
Generally Favorable
83% Positive
5 Reviews
5 Reviews
17% Mixed
1 Review
1 Review
0% Negative
0 Reviews
0 Reviews
90
The Gods Must Be Crazy is like nothing you've ever seen, a one-of-a-kind experience that's both strange and wonderful. It's most like an anthology of vintage Disney -- a wildlife narrative, a fairy tale with little people, and a love story suitable for general audiences. [02 Nov 1984, p.29]
80
The film's pleasures are simple and obvious: an original plot, lots of slapstick and a lead performance by the Bushman N!xau, who registers every absurdity with the aplomb of an aboriginal Buster Keaton.
User score
Universal Acclaim
81% Positive
13 Ratings
13 Ratings
19% Mixed
3 Ratings
3 Ratings
0% Negative
0 Ratings
0 Ratings
Oct 22, 2024
10
one of the best comedy movies ever :´DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD
May 18, 2023
9
We really miss comedy masterpieces like this film, as you know movies like these won't fly in this generation of liberal political correctness. Overall, this movie is refreshing and hilarious.
80
Film’s main virtues are its striking, widescreen visuals of unusual locations, and the sheer educational value of its narration.
80
The Gods Must Be Crazy is so genial, so good-natured and, on occasion, so inventive in its almost Tati-like slapstick routines, that it would would seem to deny the existence of any racial problems anywhere.
75
It might be easy to make a farce about screwball happenings in the desert, but it's a lot harder to create a funny interaction between nature and human nature. This movie's a nice little treasure.
40
The movie's smarmy condescension toward the Bushmen, how dainty and gentle and unknowable they are, is not at all foreign to the old American image of lovable blacks who were granted some sort of emotional superiority as a sop for the horrors they suffered. This kind of thing might spell liberalism in South Africa, but here it just leaves you reaching for your Rolaids. [05 Nov 1984, p.C6]
Jan 9, 2026
6
Movie is an amusing tale of a bushman taking evil Coke bottle to the end of the earth, But he gets arrested and is faced with 20th century tech and culture, he is soon helped by a klutzy scientist and a city girl, Movie works due to endearing characters, But the overuse of speeding up scenes, and the startling treatment of terrorist attacks in comical fashion, especially when thugs point guns at kids heads, puts a chill on the good time vibe
Sep 17, 2019
6
Is it a documentary? Is it a parody? No it is Coco cola. The Gods Must Be Crazy Jamie Uys is not particularly a good filmmaker. And he is directing, editing (we'll get back to this later), producing and writing. But somewhere in between these lines, he makes an amusing storyteller. His film isn't pitch perfect. It has the capacity to. It is the Airplane of the spoof movies. If you're going to make a parody you have to go all in. And considering the fact that it can arguably said that it is derived from a documentary style. It would have easily gone far beyond Airplane. It could ground the audience, if necessary. And also it has an incredibly loving, generous, hardworking and more importantly innocent character on lead. And his nemesis is an empty glass bottle of "coke". This unawareness. The innocence that it digs up while exploring that track of the storyline. I think it was misjudged a lot. If the makers had used this innocence, even if with manipulative nature, it would tear up any hard hearted being. But the film wishes to explore a silly love story. Which too works. Its goofiness is the real treat and not the elaborate setting of the jokes that breathes misunderstood chaos. And I would draw back to that alienated character- from the world the story is in contrast to- whose equation with every single character is flattering to you. Even his learning ability, he drives good both ways. Good enough to have a successful chase scene. Speaking of chase scene or cars or any wider shot for that matter, the editing is really unearthly. To shorten the runtime of The Gods Must Be Crazy the makers fast forwards the mundane activity instead of editing it out. And what's baffling is that, I think it is a joke played on us, for by the end of the film we play along to all such debaucheries.
Production Company:
- C.A.T. Films
Release Date:Oct 26, 1984
Duration:1 h 49 m
Rating:PG
Tagline:The critics are raving... the natives are restless... and the laughter is non-stop!
Awards
Montréal World Film Festival
• 1 Win & 1 Nomination
Young Artist Awards
• 1 Win & 1 Nomination
César Awards, France
• 1 Nomination




























