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The Flintstones

Critic Reviews

38
Metascore
Generally Unfavorable
positive
5(33%)
mixed
5(33%)
negative
5(33%)
Showing 15 Critic Reviews
80
Time
And while more than 30 writers worked on the screenplay and untold numbers labored to re-create the ambiance and effects that the animators once tossed off with a few squiggles of their pencils, The Flintstones doesn't feel overcalculated, over-produced or overthought.
75
Entertainment Weekly
The Flintstones is a big, shiny package of comic nostalgia, as much a theme park as a movie.
70
The New York Times
The greatest lost opportunity in The Flintstones is that its writers (more than 30) are so faithful to the 60's television series that they failed to add enough updated pop-culture references. The few included are among the film's best jokes.
63
Chicago Sun-Times
This is a great-looking movie, a triumph of set design and special effects, creating a fantasy world halfway between suburbia and a prehistoric cartoon.
63
TV Guide Magazine
Rarely has more high-powered movie technology been deployed to achieve such frivolous ends. Kids seem to love it, while sophisticated viewers may find it enchanting, appalling, or both.
60
Variety
After lightly going through the motions of a plot, it all ends up in the quarry, where assorted machinery provides the excuse for a parade of slapstick gags and amusement park-like predicaments that seem mostly lumbering.
50
ReelViews
The quality of the writing is more than a notch below that of our show. Most of the jokes aren't as witty, and the laughs come less frequently. Maybe it's because so many of the things they do in the movie are lifted directly from the show, but a lot of stuff seems stale.
50
Austin Chronicle
They're admirable attempts to update the old cartoon's broad social satire and add some depth to these characters, but they're played too gravely (gravelly?) to work in this wild world, and they don't prompt the same silly satisfaction that the show did.
50
Los Angeles Times
Like "The Addams Family" before it, this is one of those clever, lively and ultimately wearying pieces of showy Hollywood machinery where a glut of creativity has gone into the visuals with only scraps left over for the plot and the dialogue. [27 May 1994 Pg.F1]
40
Empire
Sadly the plot leaves a lot to be desired with major flaws never far away. The in-jokes are amusing but their novelty soon begins to wear thin.
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