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Masculine Feminine
SummaryOriginally released in 1966, Godard's film chronicles the love affair between Paul (Léaud), a young revolutionary enthusiast, and Madeleine (Goya), an aspiring pop singer, in fifteen vignettes set in the kinetic world of Paris.

Masculine Feminine

Metascore
93
User score
Universal Acclaim
8.3
My Score
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Metascore
93
100% Positive
14 Reviews
0% Mixed
0 Reviews
0% Negative
0 Reviews
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  • Positive Reviews
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100
Chicago Tribune
One of the quintessential '60s foreign art films, a bizarre melange of pop music, revolution, sex, movie allusions and poetry. It's a masterpiece of sorts by one of the most important European filmmakers of that era. But it's also a movie that can drive you crazy.
100
Chicago Reader
An excellent film, still as fresh as the day it was made.
90
Los Angeles Times
This witty and tender 1966 gem remains as timeless and fresh as ever.
88
Boston Globe
Remains worth seeing as an achingly nostalgic farewell to youthful idealism, tinged with a kind of loving contempt.
75
Seattle Post-Intelligencer
It's cumulatively entertaining, and a fascinating and nostalgic time capsule of its era. Watch for the cameo by Brigitte Bardot.
75
Chicago Sun-Times
Godard works with a bright style and a sense of humor and his pictures leave a cumulative impression. (Review of Original Release)
See All 14 Critic Reviews
User score
Universal Acclaim
8.3
86% Positive
24 Ratings
11% Mixed
3 Ratings
4% Negative
1 Rating
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Apr 29, 2016
9
EpicLadySponge
Masculine Feminine is one of those films I'll never get, but still enjoy anyways. Because I'm expected to hear some great things about this film, I decided to see it and I was so confused and it was still great anyways.
Apr 30, 2014
7
lasttimeisaw
My fourth Godard’s film (CONTEMPT 1963, 7/10; BREATHLESS 1960, 9/10; PIERROT LE FOU 1965, 7/10) so far, thus apparently I am not a newbie in Godard school, but to see the defiant Jean-Pierre Léaud (Francois Truffaut’s alter ego in THE 400 BLOWS 1959, 9/10) has grown into a handsome young man, a boy-becomes-man leap from Antoine Doinel to Paul, with sharp stare, worldly-wise sophistication (a wonderful whistler and vocalist too), in a Godard’s picture, which strikes as a sublime force of naturalistic liaison between La Nouvelle Vague auteurs. read rest of the review in my blog, google "cinema omnivore"
See All 28 User Reviews
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  • Anouchka Films
  • Argos Films
  • Sandrews
  • Svensk Filmindustri (SF)
Sep 19, 1966
1 h 43 m
Jean-Luc Godard's Swinging Look at Youth and Love in Paris Today!
Berlin International Film Festival
• 3 Wins & 4 Nominations
Cahiers du Cinéma
• 1 Nomination
Kinema Junpo Awards
• 1 Nomination
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