User Reviews

(Mauro Lanari) Before I was against the use of metaphors because they are too conceptual and not accessible to every viewer, now I discover that even some authors no longer know how to manage them. Perhaps the Natasha Kermani's second movie would like to be the obsessive neofeminist denunciation of toxic masculinity, then on closer inspection the female figures do not behave better and the suspicion arises that the protagonist has a hallucinatory pathology or that she is living an eternal "groundhog day" according to the idea of Nietzsche, the only thinker mentioned by her philosophy teacher husband. Chaos.

Weird movie, starts off interesting, the gets silly. And then it's just too on the nose.