Critic Reviews

These are simply incredible performances, captured stunningly on film.

It's as if Carlos Saura were calling the bluff of spectacle-oriented narrative cinema that necessitates excusing its excesses with characters and plotting.

It is a delight for flamenco fans and provides a fascinating introduction for those unfamiliar with the music. But as cinema, despite the lush cinematography of Vittorio Storaro, it is lacking.

Flamenco Flamenco is the most beautifully photographed film in recent memory. Come for the dance, stay for the light.

Flamenco is a treat for the senses that will delight dance fans.

Masterfully keying the compact performances into a striking lighting scheme that often bathes the musicians and dancers in warm golden or somber indigo hues representing the cycle of life, Saura's spare, elegant staging and the fluid, intimate cinematography by the great Vittorio Storaro ("Apocalypse Now") create an intoxicating effect.

When a final shot takes us outdoors to the real world, it’s possible to wonder whether a certain spontaneity, or a different kind of energy, has been missing from Mr. Saura’s immaculately vibrant film.