SummaryLurgan Northern Ireland, 1975. A low level civil war has been underway, with the IRA targeting British loyalists and the loyalist Ulster Volunteer Force exacting revenge on Catholics they claim are militant republicans. Alistair Little, 16 is the leader of a UVF cell, eager to be blooded. He and his gang are given the go ahead to kill a young Cat... Read More
Directed By:Oliver Hirschbiegel
Written By:Guy Hibbert
Five Minutes of Heaven
Metascore
Generally Favorable
62
User score
Generally Favorable
7.3
My Score
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Metascore
Generally Favorable
62
73% Positive
11 Reviews
11 Reviews
20% Mixed
3 Reviews
3 Reviews
7% Negative
1 Review
1 Review
80
When violence eventually rears its ugly head again, the effect is as anticlimactic as the movie’s title is misleading. Brief bliss is a red herring; there’s only a lifetime of pain left in such acts’ wakes.
75
A director whose breakthrough was the story of a madman's last stand has exceeded that feat with the story of an angry man's next step.
75
The title of the overlong Fifty Dead Men Walking refers to lives saved by Sturgess' character, who is still in hiding years later.
70
Ultimately, Five Minutes of Heaven is stronger as a whole than its individual parts. It's a well-performed piece that perhaps required a more calibrated hand than Hirschbiegel's proves here.
67
A forceful Neeson and an even more intense Nesbitt (Bloody Sunday) both show their stuff and obscure the unrelieved pain endured by the men they portray.
50
The production design is spot-on, but Hirschbiegel tries way too hard to create tension, making every occurrence--a record needle dropping, a car door slamming--an unsubtle potential bomb, fraying your nerves like a cheap horror movie.
20
Early scenes set up the tragedy, but the majority of Oliver Hirschbiegel's movie is set in a TV studio where the two eventually face each other, and the tension, unfortunately, quickly becomes stagey.
User score
Generally Favorable
7.3
70% Positive
7 Ratings
7 Ratings
30% Mixed
3 Ratings
3 Ratings
0% Negative
0 Ratings
0 Ratings
Jun 2, 2013
8
Tension is perhaps a writer's best friend, reaching out to an audience is a tough task, not everyone will be pleased, but with tension there is always that sense of uncertainty, and where Five Minutes of Heaven succeeds in building tension, through a simple 'handshake' between two men, it also falters in maintaining a fluid story, and not visiting plot points it should have. A 17 year-old UVF cell leader known as Alistair Little is about to take the life of Catholic man as a warning to others in the same working environment. What he doesn't anticipate is the younger brother of the victim standing outside, and watching as Little pulls the trigger three times on his brother, then leaving the scene. Years later, a reconciliation type event has been set up by a TV company in an attempt to have the now reformed and former prisoner Little (Liam Neeson), who now goes across the globe talking about his experiences and the feeling of killing an individual, and the younger brother Joe Griffin (James Nesbitt), a man who is filled with rage and is flashbacks reveal that he received the blame for his brothers death from his mother. The film is then very much what is going through Joe's head as he prepares to meet Little, he wants to kill this man for what he has done, but he also seems greatly frustrated with the position that Little is now in, talking freely and being asked about his experiences all over the world, while he continues to relive in his head what happened on that night all those years ago at the height of the Troubles in Northern Ireland. James Nesbitt perfectly shows a an who is not only riddled with grief and emotional loss, but also someone so driven by revenge it is perhaps clouding what exactly he wants, he talks quick through nerves, he wants to meet him but doesn't want to meet him. He knows Little killed his brother, but has now lost focus of the fact his brother is dead. Liam Neeson's Little is someone who accepts what he is done but now attempts to live his life, by confronting his demons, he is a fallen and sunken man who expects the worse from his meeting with Joe, and also accepts why. Where the film slightly loses its momentum is the official meeting never happening, its understandable what route the writers where taking with this, a personal approach, but there is ultimately a lot of attention surrounding this event that doesn't occur. But the film does have perhaps the most sensible and realistic of endings, and while certain other stories like Little's eventual prison sentence and Joe's wife and children could have been better explored, its another touching film on an already publicly explored area.
Production Company:
- BBC Film
- Big Fish Films
- Bord Scannán na hÉireann / The Irish Film Board
- Element Pictures
- Northern Ireland Screen
- Pathé!
- Ruby Films
Release Date:Aug 21, 2009
Duration:1 h 29 m
Rating:R
Tagline:To face the future, they must face the past.
Awards
Irish Film and Television Awards
• 1 Win & 5 Nominations
Sundance Film Festival
• 2 Wins & 3 Nominations
Cinema for Peace Awards
• 2 Wins & 3 Nominations





























