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Fast Food Nation

Critic Reviews

64
Metascore
Generally Favorable
positive
21(64%)
mixed
11(33%)
negative
1(3%)
Showing 33 Critic Reviews
100
Boston Globe
Fast Food Nation has the dramatic flatness and willful lack of personality of some documentaries -- or at least how Linklater thinks a documentary should be. The movie nonetheless feels like both a work of investigative journalism and an immense human-interest story, veering into muckraking, horror, teen comedy, and what passes for "Twilight Zone" science fiction.
91
Christian Science Monitor
Viewers expecting a blistering attack on the fast-food business, or an Altmanesque panorama, will be disappointed, but it's a sensitive and humane piece of work.
90
L.A. Weekly
Like two of the year's other standout American films, Kelly Reichardt's "Old Joy" and Ryan Fleck's "Half Nelson," it's a movie of ideas in which the ideas flow effortlessly out of the material instead of being plastered on top with a heavy cement roller (as in "Crash," "Babel" and "Little Children").
83
Entertainment Weekly
Naturally, a subject this right-on draws a right-on cast. Kris Kristofferson, Avril Lavigne, and Ethan Hawke pitch in.
83
Baltimore Sun
Fast Food Nation offers no easy answers, but plenty of food for thought.
80
The New York Times
It's a mirror and a portrait, and a movie as necessary and nourishing as your next meal.
80
Los Angeles Times
If Linklater regards the fake culture that has replaced real places with horror, he has nothing but respect and affection for his characters, and the movie is rescued from nihilism by his humanistic view.
80
Chicago Reader
Many reviews have suggested that this is as politically mild as a John Sayles movie, but Linklater clearly agrees with the frustrated kid who says, "Right now, I can't think of anything more patriotic than violating the Patriot Act."
80
Film Threat
Through it all, Fast Food Nation never really preaches to viewers, it just lays ideas out there. In that respect, it's every bit a talky, philosophical Richard Linklater movie.
75
Rolling Stone
It's less an expose of junk-food culture than a human drama, sprinkled with sly, provoking wit, about how that culture defines how we live.
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