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In his film's better moments, Kollek makes us laugh at these visions while also revealing their grace and frailty.

As usual, Thomson steers right into the heart of vulnerability, with a painfully true performance as a guarded, confused soul.

Despite a script that occasionally calls for some embarrassingly awkward lines, Kollek's cast generally acquits itself well.

Kollek's fondness for whimsical plot turns adds still more random elements to a movie that at times seems edited by a blindfolded monkey.

Yet another of Israeli-born filmmaker Amos Kolleck's pointless, meandering tales of eccentric New Yorkers navigating the treacherous waters of love and survival.

Kollek is a fringe auteur who makes independent films the old fashioned way: no budget, static camera, a script that telegraphs its tiny, paste gem ironies.

Almost creates a sense of dread as you sit watching its raft of aimless, self-absorbed neurotics clang into one another.