SummaryJohnny (Joaquin Phoenix) is a kindhearted radio journalist deep into a project in which he interviews children across the U.S. about our world’s uncertain future. His sister, Viv (Gaby Hoffmann), asks him to watch her 8-year-old son, Jesse (Woody Norman), while she tends to the child’s father, who’s suffering from mental health issues. After agre... Read More
Directed By:Mike Mills
Written By:Mike Mills
C'mon C'mon
Metascore
Universal Acclaim
82
User score
Generally Favorable
7.0
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Metascore
Universal Acclaim
82
93% Positive
40 Reviews
40 Reviews
7% Mixed
3 Reviews
3 Reviews
0% Negative
0 Reviews
0 Reviews
Jan 10, 2022
100
While it’s fully grounded as a family portrait, overlaid on it still is that type of cosmic optimism which makes Mills’s work so lovely. I’m not even sure we fully deserve it, but it would be sheer masochism to turn it down.
Nov 22, 2021
90
Going into C’mon C’mon, you may think you know exactly what it’s going to be. Coming out, you’ll probably see that you were mostly right, but that you also got a million little firefly flashes of feeling you weren’t expecting. And that right there is the Mike Mills touch.
User score
Generally Favorable
7.0
67% Positive
64 Ratings
64 Ratings
23% Mixed
22 Ratings
22 Ratings
9% Negative
9 Ratings
9 Ratings
Nov 28, 2021
10
Probably my favorite Mike Mills film. C'mon C'mon is a beautifully written drama that envelopes everything in you. Phoenix and Woody Norman are unbelievably committed in their performances, and the beautiful score and cinematography adds a wonderful layer to the entire experience. I love this movie so much!
Jan 19, 2026
9
A Masterpiece of Empathy: The Relentless, Beautiful Labor of "Just Doing It"250212 (4.7)"Nobody knows what they're doing with their kids. You just have to keep doing it." This singular insight is a profound truth that everyone—especially parents—should witness. The film follows Johnny, a radio journalist who travels across the U.S. interviewing children about their thoughts on the future, while unexpectedly becoming the temporary guardian of his nine-year-old nephew, Jesse. Jesse is a complex, sensitive child who has been forced to mature quickly due to his father Paul’s deteriorating mental health. Through their journey from Los Angeles to New York and New Orleans, the movie beautifully illustrates that while raising a child is an immense struggle, life is equally daunting for the children themselves. The interviews Johnny conducts with diverse kids offer incredible wisdom, touching on loneliness, the fear of being misunderstood, and the burden of adult expectations. One Asian child’s remark—that they hate being told to "be strong" instead of being allowed to cry—cut deep, highlighting how we often suppress authentic emotions in favor of a hollow **** relationship between Johnny and Jesse is a delicate dance of frustration and deep affection. Johnny learns firsthand that balancing work and caregiving is an "impossible task," a reality often hidden behind the societal myth of perfect motherhood, which becomes the ultimate scapegoat for our political and personal failings. Jesse’s own insights are startling; he teaches Johnny how to meditate to find his "recovery zone" and records a self-interview where he explains the film's title: "What you plan for doesn't happen... so you just have to come on, come on." The scene where Johnny encourages Jesse to simply scream his frustrations is a cathartic peak. This film is a flawless ten-out-of-ten, utilizing even its end credits to provide a space for reflection. It reminds us that while we may not have all the answers, the act of making "ordinary things eternal" is a grand and worthy pursuit. It’s like a adolescent version of *Recess Therapy* but with the weight of a soulful poem, teaching us that while we might not be born with a purpose, we can certainly find the reason hidden behind our existence.
Oct 5, 2021
89
In amplifying the diverse voices of American children through the film’s radio vérité subplot, C’mon C’mon proves that kids have some pretty insightful advice to impart, if only we’d just listen.
Nov 29, 2021
83
Those ambivalent towards children may find the film positively tedious. Those in tune with its up-close storytelling and gentle pace may find much to enjoy.
Nov 22, 2021
80
Deeply felt sincerity of the kind that Mills offers can be a tough pill. You kind of have to be in the mood. But this isn’t a film that works despite those excesses. Instead, it makes a case for them.
Nov 17, 2021
75
C’mon C’mon doesn’t really go anywhere in particular. It’s a meandering experience, but purposefully so. And it’s the kind of film that makes you want to leave the theater and ask the big, cheesy, sincere questions of strangers, family, anyone really.
Nov 18, 2021
50
C’mon C’mon is a nice movie about characters who are so nice that I almost feel bad for not being nicely disposed toward them or this movie, even with Joaquin Phoenix as the guy and Gaby Hoffmann as the sister.
May 28, 2022
9
No one said babysitting was easy, right? What makes this mix of drama and comedy attractive, in addition to the performances, is how they manage to gain the viewer's empathy, so that one is left with a great taste in the mouth. The best of indie cinema.
Dec 11, 2021
6
Writer/director Mike Mills's ode to the awkward, quirky ickiness of starting families and raising children, "C'mon C'mon" sees Joaquin Phoenix at his most tender and vulnerable, acting alongside the brilliant newcomer Woody Norman in some truly winsome bouts of borderline familial chemistry between the two actors. The pacing was a bit trying for me throughout most of the film's slightly indulgent length, with some of the stylistic elements also coming off as somewhat self-congratulatory at times (an issue I've had with another one of Mills's films in the past). All in all, though, the film's spirit is pure, making for a consistently adorable watch.
Nov 23, 2021
6
A podcaster/interviewer (Joaquin Phoenix) embarks on a cross-country trip with his young nephew, and the two bond and begin to understand each other more as the trip progresses. It's a pretty straightforward film and is very cute and heartwarming at times, but it's also a little TOO straightforward and simple. It tries to fit in a few big and philosophical ideas throughout the film in the dialogue here and there, but really this just came off to me as a cover-up for lack of a truly unique or engaging story. I never felt as though the film had anything particularly unique or interesting to say. On the plus side, Phoenix turns in an always reliably great performance, and even Woody Norman as his nephew manages to hold his own alongside Phoenix astonishingly well. Gaby Hoffman also graces us with a heartfelt supporting turn. Furthermore, the black and white cinematography is beautifully rendered here and gives the feel of classic Woody Allen at times. But overall, the performances and cinematography are all great here, but they can't quite make up for a relatively straightforward and unremarkable story and script.
Oct 1, 2023
3
Nice antinatalism film. Helpful demonstration of what a waste of time it is to spend your limited time on this earth worrying about and raising a child. You either do it properly and it consumes most of your life, or you do it poorly and thus shouldn’t do it at all. A salient quote from the movie: “nobody knows what they’re doing with these kids but they keep doing it”. If only more people would stop to think “should we be doing this” before creating more children. But I have to give this film a poor rating because it missed a very important theme: how unhealthy people are creating unhealthy children who will suffer from that poor health. It results in a society full of diseased, poorly functioning people, resulting in the dystopia we’re currently living in.
Dec 23, 2021
3
bad
[ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36.
not good in any manner or degree.
Production Company:
- A24
- Be Funny When You Can
Release Date:Nov 19, 2021
Duration:1 h 48 m
Rating:R
Awards
Indiana Film Journalists Association, US
• 1 Win & 7 Nominations
DiscussingFilm Critic Awards
• 4 Nominations
Film Independent Spirit Awards
• 3 Nominations




























