PC Critic Reviews

Comedy games are considered notoriously difficult to pull off, but ones like this demonstrate that the challenge isn’t inherent to the medium - it really just comes down to how many people making games are actually good at comedy. Death of the Reprobate, with humor that’s sharp and dumb in equally amusing measure, is some damn good comedy - and maybe more than a little damned.

Death of the Reprobate is a delightfully devilish narrative experience that has you gasping with laughter at every interaction. The game forgoes challenge in order to provide the player with a seamless experience which is to its merit, but could do with a little less hand holding. Despite this, you really do want to stop and smell the roses when you play this game as its artstyle is a wonder to behold, and a bit yucky in other places. Its quirky characters and its use of the renaissance is unique and accessible to any player that doesn't have a degree in art as it prizes itself in how fun of a time you’ll have with it.

Death of the Reprobate is genuine highbrow buffoonery. With its biting satire, intuitive gameplay, and Renaissance style, Richardson has once again proven he can make profound statements about human nature while making us laugh at our own pettiness. Though it bears the common afflictions of the point-and-click genre, it nonetheless endures as a splendid finale to the Immortal John Triptych.

Fun, cheeky and irreverent, Death of the Reprobate prances through art history with a wicked twinkle in its eye, and is one of this year's most memorable adventure games.

Quotation forthcoming.

While Death of the Reprobate is not a perfect experience, this brief journey doesn’t overstay its welcome. I’m a Joe Richardson fan, and I can’t wait to see what he does next, even if it’s nothing like his previous works. Clearly, he’s a talented individual who deserves success. If unique experiences are your wheelhouse and you don’t mind some potty humor to go with your high-brow language, then please support this developer.

Death of the Reprobate is a whirlwind of madness, showcasing a parade of characters with no logic and questionable morality. The humor is, let’s say, quite unique, but it perfectly complements the distinctive graphic style typical of all Joe Richardson’s works. Perhaps the author is a bit too imaginative in designing his puzzles, but we’re happy to overlook that if it means getting one of the most entertaining and original titles of the year.

Death of the Reprobate offers both artistic complexity and simple humor. It’s a journey full of laughs, jeers, and disgust — and at the end of the day, isn’t that all someone could want from a trip to an art museum?

As the final installment of the Immortal John Triptych, Death of the Reprobate provides more of the same fun Monty Python-esque humor, signature Renaissance-era aesthetic, and enjoyable puzzles that Joe Richardson fans have come to expect, even if some aspects are starting to wear thin the third time around.

I can’t say that I think about Renaissance-era Europe all that much in my day-to-day life. However, when I played this game, I got to see a crass and often cruel period of history that’s also really f*cking grimy. Its world is a far cry from the luxurious, sanitized real-life museums that house the artwork shown in the game. In this sense, Death of the Reprobate might be a more nuanced way to contextualize the Renaissance era. Sure, there weren’t talking monkeys, but it wasn’t all just art and sculptures.