Children of Morta is moving, and there’s no denying that. It has soul, it has intent, and you can tell there is a team behind it with a very clear vision of the story they wanted to tell. The story of the Bergson family, its melancholic tone, and its audiovisual presentation ensure that the journey has emotional weight, something rarely seen within the **** is also a game with its own identity. It doesn't try to blatantly copy other successful roguelites, nor does it get lost in absurdly complex systems. It does its own thing, with a restrained, direct, and very well-presented proposal. Visually and musically, it is memorable, which already places it above many run-of-the-mill titles.However, once you scratch the surface, its limitations appear. As a roguelite, it falls short: the combat never quite takes off, the progression is solid but conservative, and the replayability doesn't reach the level of the genre's heavyweights. It’s not bad at all, but it doesn't justify the pedestal many put it on.Children of Morta isn't the definitive roguelite some claim it to be, nor does it pretend to be. It is an honest, emotive, and well-crafted experience, but also a safe and unadventurous one in terms of gameplay. In the end, it’s a game remembered more for what it conveys than for how it plays. And that might be enough for many… but not for everyone.

sensacional!! gostaria de uma continuação com mais personagens e uma nova história!

I enjoyed this game with my boyfriend, I would recommend it to anyone looking for a local co-op (give it some time at the beginning because it takes some time to grow into it). Gameplay could have been a bit more interesting, but overall the story and narration were great and it was a fun short game.