Matt Fowler

War Machine has just enough juice to prevent it from being a Snore Machine.

Psycho Killer may "have a Hulk," but it's also a parade of missteps and missed opportunities.

Migration is a preposterous yet grounded thriller thanks to good performances and centered on a desperate, hopeful plight. Honestly, watch the first movie: It's fun, but you actually don't have to have seen it to enjoy Migration.

Sydney Sweeney blazes trails and pulls no punches in a choppy biopic that falters at the finish.

Good Fortune is a witty, warm, celestial comedy of errors that splendidly blends the wry world of the Frat Pack with the dopiness of Bill & Ted. It's got great performances -- including a devilishly angelic one from Keanu Reeves -- and offers a fresh, funny look at modern hardships.

A House of Dynamite has the acting and directing goods, but its weak resolve arrives late in the game.

The Astronaut has a game lead in Kate Mara and the decent stagings of a monster mystery, but it winds up being a humdrum offering in a genre usually teeming with imagination and innovation.

The love story between Mark Wahlberg and Halle Berry works, or at least meagerly satisfies, on only surface levels, as does most of the movie.

Confess, Fletch is a clever soft-baked cookie of a mystery, never getting too intense or presenting massive stakes, which is the perfect sandbox for a wise-cracking investigator like Fletch to play around in as he relies on a mix of charm, smarts, and luck to make it through to the other side.

A muddled mix of '90s teen flicks, curated for a new generation (with a Hitchcock premise swirled in), Do Revenge is a lukewarm high school vengeance tale that never settles on a tone and is barren when it comes to laughs.