Matt Fowler

Pinocchio Unstrung balances gore and whimsy, delivering on everything the Twisted Childhood Universe should be — no lie.

Little Brother runs a familiar comedy playbook, but the peaks of Eric André disasters overcome the valleys.

The Get Out is forgettable fare, though Russell Crowe remains fun to watch.

War Machine has just enough juice to prevent it from being a Snore Machine.

Psycho Killer may "have a Hulk," but it's also a parade of missteps and missed opportunities.

Migration is a preposterous yet grounded thriller thanks to good performances and centered on a desperate, hopeful plight. Honestly, watch the first movie: It's fun, but you actually don't have to have seen it to enjoy Migration.

Sydney Sweeney blazes trails and pulls no punches in a choppy biopic that falters at the finish.

Good Fortune is a witty, warm, celestial comedy of errors that splendidly blends the wry world of the Frat Pack with the dopiness of Bill & Ted. It's got great performances -- including a devilishly angelic one from Keanu Reeves -- and offers a fresh, funny look at modern hardships.

A House of Dynamite has the acting and directing goods, but its weak resolve arrives late in the game.

The Astronaut has a game lead in Kate Mara and the decent stagings of a monster mystery, but it winds up being a humdrum offering in a genre usually teeming with imagination and innovation.