Jordan Farley

Taking Spidey back to web-slinging basics, Tom Holland’s fourth solo outing as Spider-Man is a blast, with personal stakes to match its evolved spectacle. It's the Multiverse Saga's best movie… at least until Doomsday.

A grounded, spiritual, uncanny rendering of Greek myth, The Odyssey is a dazzling epic and a major film-of-the-year contender. Post-Oppenheimer, Christopher Nolan continues to operate at the height of his filmmaking powers.

Steven Spielberg proves why he's the greatest blockbuster filmmaker of all time with a full-circle aliens-among-us thriller that dazzles as both a pedal-to-the-metal chase movie and a moving reckoning with the idea that we aren't alone in the universe.

He-Man returns for a derivative, comedy-fuelled action-fantasy that never takes itself seriously, for better or worse. It's much too slow off the mark, but there's infectious affection for the source material and, like him or loathe him, Jared Leto steals the show as Skeletor.

A bloody fun second round, Mortal Kombat 2 creatively resets the series for the better. Karl Urban adds irreverent energy as a post-Deadpool Johnny Cage, while the all-important fights mostly deliver the goods. A step up from 2021’s bizarrely tournament-less Mortal Kombat that lands some killer blows, but it’s far from a flawless victory.

The seventh and supposedly final Scream is never as sharp or as smart as the series' best, but it still has a few neat tricks up its billowing sleeve. Enjoyably self-aware and satisfyingly bloody, this may be imitation Craven, but it proves Scream's slasher-whodunnit formula is still potent enough to thrill.

The most action-packed Avatar yet still has the capacity to dazzle, with Oona Chaplin's Varang turning up the heat. Even if a frustrating lack of resolution and some repetitive storytelling choices make this feel more like The Way of Water part 2.

Predator: Badlands may irk traditionalists, but it's a big swing that just about works. The odd-couple dynamic between Elle Fanning's busted synth and the more human Yautja adds laughs to the usual lacerations for a fun, propulsive, off-world action-adventure.

Paul Thomas Anderson's bravura comic satire is a serious film of the year contender, and one of the best studio movies in years. An instant classic.

It may not be a perfect movie, but in a word, it’s pretty super.