MehracAli

bombaThe **** of expectation can sometimes shake one out of one’s complacency, especially if that expectation is low. ‘The Finest Hours’ is one such example. Unenthusiastically reviewed by the majority of critics, it turns out to be a finely mounted and gripping disaster drama. Set during a particularly ferocious storm it tells of the rescue mission of a four man crew to reach a stricken oil tanker cut in half by the adverse weather conditions. Whilst the screenplay itself is merely serviceable it does tell a basically good true story, and the production is elevated by a high standard of performance in both the acting and the craft on display. As the hesitant captain of the rescue boat who has thus far never gained the respect of his colleagues, Chris Pine is extremely good. As his girlfriend Holliday Grainger adds a feistiness to her perfunctory role that at least ensures the film is still interesting on land, even if it is the scenes at sea that offer the most excitement. Although underused, Casey Affleck is subtly impressive as the reflective chief engineer aboard the tanker who takes command more by default than design. The film demonstrates an astonishingly good period feel and the visuals in both cinematography and special effects are momentously impressive. Music, editing and sound all contribute to the prestige look and feel of the movie. The biggest compliment that can be paid to the 3D format, and indeed the film itself, is that it is never obtrusive and just becomes part of the engrossing nature of the adventure. This must be an early candidate for the most underrated film of the year as it is both emotionally stirring and spiritually uplifting.