Futuredirector

So easy as this: sorry, stupid and awfully acted (and also written); Jaws: The Revenge is an unnecessary, dull and pathetic sequel for a once-proud saga.

Lawrence of Arabia may lose its epic essence by the years (a consequence of the inevitable modernity's advance), but no one can deny its exciting, emotional, and unpredictable storytelling.

Jaws 3-D proves how unnecessary is a third sequel added to Spielberg's work; from its awful cast, inept direction, sorry visual-effects and truly disappointing conclusion.

While Jaws 2 has the same nice cast of its predecessors, it is even less complex, smart and unpredictable every time. And all above Steven Spielberg's absence.

Without Adrien Brody's unique interpretation and Roman Polanski's almost insuperable direction, The Pianist wouldn't have reached the success-position, favorable critics, and the awards that it has right now.

First, we see another King's best-seller's cinematographic adaptation's trailer. Then, after watching it, there's no way you could regret: thriller; laughs; emotion, and all above heart (just as its predecessors).

Baby Driver is this year's Pulp Fiction: unpredictable, exciting and fantastically acted. The audience will never forget its soundtrack and cool action stunts.

While it hs+as an original plot, True Memoirs of an International Assassin needs a wittier storytelling, a more believable script and nicer characters.

While Captain Underpants: The First Epic Movie may feel unsatisfying for the ones who hadn't read Dav Pilkey's bestseller, it is still having a dazzling animation, cool storytelling, and a surprisingly familiar message.

Witty, gorgeously directed, and nicely acted, Norman: The Moderate Rise and Tragic Fall of a New York Fixer is a nice welcome picture in Richard Gere's reputation.

Thinly written, notably inept and drawn under a cliched plot, a pale storytelling and, in conclusion, an unsatisfying spectacle of 150 minutes wasted.

Even if Cliffhanger's action sequences are easily comparable to other thrillers, Michael France and Sylvester Stallone's script offers enough action and tension to satisfy the audience.

Thanks to Red Planet's awful boredom and notably sorry characters, it's nice visuals, talented cast and the interesting plot don't feel anything new to the audience.

Unforgettable, wonderfully animated and surprisingly thrilling, Your Name's breathtaking essence easily proves that Makoto Shinkai's great filmography gets even better every time.

War Horse is an energetic, emotionally satisfying and gorgeously interpreted based-in-real-facts adventure that is nicely welcome in Walt Disney Studios Motion Pictures' most important pictures, and also one of the most important of Steven Spielberg's masterful filmography.

Even while The Green Mile has an undeniably talented cast and a nice script that doesn't lack Stephen King's thrilling style, it has too much duration and too less credibility to be totally unforgettable or enjoyable.

Christopher Nolan's masterful filmography gets totally blessed with this clever, well-acted and truly satisfying spectacle that gets really close to the real fact.

A bizarre, rare and weel-acted picture full of mystery, smartness and surprisingly enjoyable thriller sequences. Colossal cannot have any other description.

Thanks to Smurfs: The Lost Village's animation, its entertainment sequences, and jokes can go even farther away from its predecessors, but it can't stop with its flawed conclusions and predictable plot.

Lacking enough melodrama and smartness, Terminator Genisys is just another dull, flawed and unremarkable sequel added to Cameron's Terminator franchise.

Schwarzenegger's charismatic interpretation's gone; The Terminator's impressive action sequences have evidently finished and a thin script takes place.

Alien: Covenant packs more suspense and action than Prometheus, but compared with Ridley Scott's previous works, this is just another pale, unsatisfying and somehow flawed prequel for the franchise.

Ridley Scott's franchise is almost complete thanks to Prometheus eerie conclusion. Unfortunately, it needs more to be remembered as a thrilling, unforgettable and satisfying prequel to a saga as this one.

With a well-chosen cast, a masterful direction and a dazzling storytelling that entertains constantly the audience, Gone With the Wind is still having to right to be one of the best films ever made.

The Wizard of Oz (re-release) as any other great re-release of its class, is still showing the classic's picture masterful interpretations, cool music and the same depth message to the whole audience.

With Inception, Christopher Nolan's still proving how unpredictable, smart and inventive is him. Otherwise, it has enough thriller, smartness and great interpretations to leave the audience in shock.

Spider-man: Homecoming may feel too different from its other predecessors (especially because of its "pint-sized" protagonist). But, at the end, it has enough thriller, fun, and color to live up again Marvel's classic character.

With an exhilarating, unpredictable and surprisingly stylish storytelling, Terminator 2: Judgment Day overpasses its predecessors with even more impressive and well-acted action sequences.

As it doesn't take any risks on the franchise and a sorry plot masterminds it, this new addition to Despicable Me's franchise gets to be every time duller and simplistic.

Terminator 3: Rise of the Machines have some impressive action sequences as its predecessors. Sadly, its so-so script and simplistic plot sink this flawed sequel even downer.

Everything, Everything is definitely an enormously flawed and fatally cliched forbidden-love picture, but a surprisingly talented cast and a nice story-telling can mean a little redemption to it.

A surprisingly clever, dark and well-acted new sequel for Scott's saga, even if this is just an unsatisfying and unremarkable trapped-in-space picture.

Taking excessive unnecessary risks on the franchise and an unsatisfying mound of flawed-scares, Alien 3 is just an unremarkable sequel for Scott's Alien saga.

With an impressive and thrilling storytelling, James Cameron knew exactly how to keep Alien's humanity and cleverness. There's no way this new sequel for Scott's classic can't be a classic.

If it's not because of its unfunny (and surprisingly doody) jokes and sorry plotted, Madagascar 3 is just a cliched, unbelievable and not-living-up-its-name animated picture that can be only enjoyed by kids.

If it hadn't been for Benigni's direction and interpretation, Life is Beautiful would not be what it is now: another unforgettable and undeniably breathtaking classic that cannot be forgotten.

With an eye-catching animation, an original plot and a surprisingly smart storytelling, Over the Edge get to be on of the best and most satisfying Dreamworks' work.

May hardcore sensitive or young viewers, but Brother Bear cannot avoid its flawed result and crappy animation. Disney's animated classics have been better than this one.

Puss in Boots may not be as breathtaking or depth as Shrek, but a surprisingly entertaining and satisfying conclusion bless this animated picture that fits perfectly in the franchise.

Monty Python and the Holy Grail may feel illogical or stupid for modern viewers at the beginning, but the undeniably entertaining storytelling and surprisingly unforgettable laugh-to-gag jokes become this ridiculous picture on an everyday classic.

Patty Jenkins' Wonder Woman has just enough thriller and a nice cast to have the right of being called WONDER WOMAN (especially thanks to Gadot's interpretation), but an old-fashioned spirit and a cliched villain can't stop being a fundamental problem for the conclusion.

While there's an undeniably talented cast and a surprisngly enjoyable 3D animation that blesses the storytelling, Sausage Party needs more to be likable to the audience, that won't understand this somehow unremarkable animated picture's conclussion.

While cast is still giving them best to live up classic characters and a new direction is arriving to the saga, (offering a new and fast-paced storytelling), Pirates of the Caribbean: Dead Men Tell no Tales is just another conformist and cliched sequel.

A cliched plot, thus a predictable ending and a mound of fatally flawed characters that only remind the audience how sleek is the world nowadays. Anyway, the result is surprisingly satisfying and somehow a thoughtful message.

Inferno is as eerie and unpredictable as the other pictures of Robert Langdon's trilogy. And also leaves a surprisingly thought-provoking conclusion that may surprise some viewers. Unfortunately, the result is still being flawed and unsatisfying.

This new Poltergeist conserves the almost the same cleverness and mystery of its predecessors, but a predictable storytelling and excessive boo-scares (and also a surprisingly deficient script) ruin the conclusion. You'd really rather watch the classic version.

Angels & Demons is not a redemption for Robert Langdon trilogy, but there's a notable improvement on its predecessors and a surprisingly thought-provoking ending blesses the conclusion.

The Da Vinci Code may erase some of Dan Brown's most important ingredients (that would have saved this unsatisfying and fundamentally flawed picture). Anyway, a strong cast and an intense storytelling can mean redemption for it.

While Pirates of the Caribbean: On Stranger Tides has a better conclusion than it's sequels (and the same gorgeously talented cast), it has a thin plot, a choppy storytelling and, thus, a truly unsatisfying result.

Pirates of the Caribbean: At World's End may soar thanks to its impressive battle sequences, but a terribly dull storytelling and unoriginal interpretations ruin the conclusion and become this sequel the worst of the saga yet.