WandaVision

It’s compelling, gripping, fun and inventive television – and if nothing else, it’s worth sticking around to see what jaunty new theme tunes they can come up with every week.

With two episodes that are fun sitcom parodies and a third that ends as a vaguely horror-flavored take on a Marvel movie, WandaVision has the makings of what could be a riveting entry in the MCU canon.

Success will depend on whether the eventual answers are satisfying — and whether all those fancy sitcom adornments are just a long wind-up to an overly familiar superhero smash-up. Consider WandaVision an unusual first step for this new Marvel phase. The best parts lovingly conjure the mood of very old television shows. The worst parts feel like just another movie.

One feels that the show might have been written backward from an original Big Idea or even from the title; that is how things often go in Hollywood, after all. But the results here are rarely less than interesting and at times much more.

Through clever re-creations of sitcom theme songs, sets and tropes, “WandaVision” proves a unique entry in a genre that’s too often overly similar.

Despite its character and dialogue beats, “WandaVision” isn’t a sitcom; it’s a sinister thriller wearing respectable clothes and an unnervingly bright grin. It’s “Pleasantville,” if “Pleasantville” opened with the characters stuck inside the black and white television. When “WandaVision” leans into this uncanny-valley side of itself, it works much better than it does when it’s just going through the sitcom motions others have done better before.

Not until the end of episode 3 do matters seem poised to coalesce, and up till then “WandaVision” is a crashing bore.

One of the best things marvel has ever done. Really liked Elizabeth Olsen on this show and how she brings so many different emotions to her character here. Furthermore, all the show has a really great production, and so much care about the details, the way the story happens and all the plot twists just make me so excited about it more then i expected for a show about superheros. This should have a lot more recognition.

Pretty bold way to launch the Disney Plus era of MCU shows. A comedy that flirts with time periods, fourth wall breaks, and meta storytelling, WandaVision has a surreal feel to it that works great with the titular characters. While Wanda's tragedy playing out is sad to watch, I don't think the show did a great job of making her morally ambiguous like they seemed to try to. The show was building multiple plot points up really well throughout, but started to drop the ball in the last few episodes. I didn't like the Peter reveal being a misdirect, I felt it was unnecessary and dismissive to the audience. The penultimate episode being Agatha's backdoor pilot and a memory lane exposition-fest was not a solid decision either, but the Agatha All Along song does remain GOATed. The finale felt super rushed and needed either an extended runtime or to have been a two parter. In the end, Wanda's set up as a villain for a future film but the show seems to paint her still as a hero, perhaps owing to the rushed-ness previously mentioned. Either way, good show that mishandled its final third, a lot better than Phase 5's shows.

[SPOILER ALERT: This review contains spoilers.]

[SPOILER ALERT: This review contains spoilers.]

Boring, pointless without any humor! This TV show is extremely unnecessary. I saw all 9 episodes and can only say: waste of time!