Critic Reviews

History? Possibly. Trash? Definitely. Fun? Pretty.

Many of his tricks here are explained, and the means of execution may only increase your appreciation for his genius. Less convincing is the miniseries’ speculation that the British intelligence agency MI-5 recruited him to act as a spy in the run-up to World War I.

Houdini takes a big bite, and its journey is often fun and fantastical, but its goofy sensibilities would have benefited from a sturdier structure, and what it wants its audience to take away from its subject’s life story is unclear. That said, the miniseries nails the most important thing: spectacle.

In itself, Houdini’s script is solid.... However, whether Meyer-penned or network-mandated, the miniseries’ voice-over drains a critical amount of energy from the miniseries.

The production, and Brody, work hard to elevate Houdini’s routines to metaphor.

The filmmakers mostly do an adequate job of sticking to known facts, but can't help giving in to somewhat hamfisted telegraphing throughout the film.

Houdini lacks emotional depth.

Showing how [Houdini] got the bug, learned his craft and went from sideshow oddity to world-wide celebrity, the film holds interest and makes you want to know more. Then, it pulls back the curtain and shows the locks, keys and stunts he uses to open all those seemingly inescapable devices. It’s a bit like knowing a gift before you unwrap it.

Adrien Brody is impressive as Houdini in the History Channel's two-night biography, and many of his stunts are re-created (and explained) in fascinating detail. But the miniseries, a co-production with Hungary, Houdini's home country, is too slow and too-often hokey to rate a rave.

If only Houdini could have waved a wand and made half of this too-long miniseries disappear.