Lori Rackl

We already know where he ends up, but it sure is fun watching him get dirty along the way.

If the rest of the series is anything like the pilot, this is one party you don’t want to miss.

Bravo’s first original non-reality TV series is a sometimes hilarious, sometimes heartbreaking story about an L.A.-based self-help author.

This time around Stuart has a vulnerability that makes him a lot more enjoyable to watch, even if the steps he makes toward maturity and genuine love feel a bit rushed in this home stretch.

The water may not be running, but the risk of repetition sure is.

Compared to “Homeland,” State of Affairs is hands down the weaker show. Compared to the broadcast networks’ other new dramas, it’s strong enough — just enough — to deserve a chance to find its legs and maybe even make itself comfortable in “The Blacklist’s” old Monday night time slot.

It’s more of a slow burn, a psychological study in grief, guilt and what can happen to a marriage tested by tragedy.

Kudrow keeps us interested in her vain character by giving her an unflappable optimism that’s more humorous than pathetic. Fun cameos by Andy Cohen, Seth Rogan and RuPaul add to the Hollywood-insider vibe that makes room for a lot of HBO jokes.

The season premiere is The Newsroom at its best.

The refreshing way fellow contestants and judges rally around a young contender having a meltdown ultimately make this an inspirational series that’s more sweet than bitter.