Bruce Miller

Gleeson, meanwhile, would work well in any iteration of a newspaper story. He exudes sincerity and isn’t afraid to pitch in and report. He’s a keeper. Some of the others just need a little more time.

“Alien: Earth” is a lavish production – more so than any of the films in the canon – but just as claustrophobic and, easily, as memorable.

All very simple, “Leanne’ puts into play what Morgan describes on stage. The anecdotes wear well with others sharing the comedy but, too often, the star is left to reflect others’ glory.

“Back to the Frontier” may not be as titillating as “Naked and Afraid,” but it’s one reality show that certainly shows what happens when the shine is off the rose. It’s a keeper.

Go into "The Bear" with the right mindset and you'll discover it's the best drama on television.

“Adults” is very adult and may take some time to warm to, particularly since it’s impossible to get a bead on Samir, Billie, Paul Baker, Issa and Anton.

If there’s a disappointment, it’s that Reubens doesn’t open up more about his feelings during the scandalous times. .... What “Pee-wee as Himself” does provide is a look at the building blocks that made the quirky character.

It's bursting with ideas initially but once it leans into to specifics it becomes the series you may just want to embrace. Barinholtz and Wonders are great support; O'Hara may well have found her new "Schitt's Creek." Rogen, though, needs a chill pill.

It's a hit-and-miss proposition that works every time Kerri Kenney-Silver is on screen.

"Etoile" (which means "star" in French) wants to be more high-brow than it should. The dances are beautiful, but the characters shouldn't have to walk in others' toe shoes. We've seen the petulance, the bickering, the histrionics before. .... And the cast? It's too large for something that's already unwieldy. Eliminating the side stories (did we need Jack's sister in this?) could put the focus where it needs to be: creating art in a bankrupt society.