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What They Had

Critic Reviews

69
Metascore
Generally Favorable
positive
18(72%)
mixed
6(24%)
negative
1(4%)
Showing 25 Critic Reviews
Jul 27, 2018
90
New York Magazine (Vulture)
There’s raw power in Chomko’s writing, but so much scrupulousness and craft that you feel safe when the time comes to weep.
Oct 17, 2018
90
TheWrap
Chomko doesn’t drag on a scene longer than it should be; there’s an expediency to her storytelling that gets the point across without the film feeling rushed. It’s blunt and bold, just like its characters.
Oct 18, 2018
90
Los Angeles Times
The radiant Danner, one of the greats, is perfection here, while Forster gives a stunning, Oscar-worthy turn as a man struggling to hold onto a blissful past to ward off a frightening future.
Oct 18, 2018
88
Observer
The intimacy and honesty of the family rapport, the razor sharp dialogue and—most unexpectedly—its deeply grounded humor keep the film and its slight and compassionate story utterly engaging.
Oct 19, 2018
88
RogerEbert.com
Chomko’s grandmother was diagnosed with Alzheimer’s disease, and she takes great effort to recreate a sense of that unique kind of pain, where the person’s memories are lost but they are standing in front of you.
Oct 25, 2018
88
Chicago Sun-Times
There’s something quite beautiful and quite melancholy and sometimes achingly relatable about the tone of writer-director Elizabeth Chomko’s lovely and memorable What They Had, which is based in part on the Chicago-born Chomko’s own family history.
Oct 17, 2018
83
Consequence
What They Had is an indie drama of a familiar cut, delivered so well that you’ll forgive its smaller inconsistencies.
Oct 18, 2018
83
Film Journal International
The dominant performance throughout remains Forster’s. He’s such a hard-charging engine that he reduces everyone within his earshot to a reactive mode.
Oct 18, 2018
80
Rolling Stone
At first glance, you might mistake What They Had for one of those well-meaning family dramas about what to do when your mom is diagnosed with Alzheimer’s. But that would discount the exceptional accomplishment achieved by debuting director Elizabeth Chomko, enlivening her scrappy script with a cast of actors who truly are as good as it gets. You laugh as much as you cry, which means you believe in the movie’s truth.
Oct 18, 2018
80
Wall Street Journal
This fine debut feature by Elizabeth Chomko dramatizes well-worn themes — degenerative illness, family dysfunction, anguishing choices to be made in the face of implacable decline. Yet the cast is exceptional, the performances are extraordinary, the writing and direction are heartfelt, and the film is, consequently, stirring, frequently funny and consistently affecting.
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