User Reviews

I found this film practically unwatchable. Charleston Heston (laughably, in brown-face) and Janet Leigh give perfectly serviceable performances, but I can't say that for most of the rest of the cast. Dennis Weaver as the hotel night manager was jaw-droppingly bad. Welles and Tamiroff also deliver ham-fisted performances. Technically, this might be a good film, but in every other way, it's pretty terrible.

Simply a masterpiece. The greatest film noir oat. 99 is a score that doesn't do it justice. Great acting, cinematography, cast, critiques of racism and American society and Mexican society being more similar than we might think and reverse stereotypes that set it apart from any other film noir, great scenes, and the second-best film of the director who crafted the GOAT Citizen Kane, the king of the film Orson Welles.

On honeymoon with his new bride, a Mexican narcotics officer is unwittingly drawn into a web of crime and corruption when he witnesses a fatal car bombing. Following the case with interest, he's repulsed by the brusque attitude and morally-questionable methods of the local authorities. This is particularly true of their notorious lead detective, Quinlan, whose dubious past hangs like a rumbling storm cloud over the whole town. Like most late-period noir films, Touch of Evil is a wash of pulp and grit, with the seedy subject matter providing a sense of persistent danger and the black-and-white film stock pumped for all the grain and contrast it can muster. Orson Welles, sitting in the director's chair, may have gone overboard in his quest to probe these depths, although post-production on the film wasn't exactly trouble-free and he was eventually ousted from that post en route to a studio-mandated final cut. The result is a jumbled narrative, stocked with far too many loud characters and pointless subplots, albeit one with a stylish, progressive look and feel. Welles is good on the screen (he also plays the shady, multifaceted gumshoe Quinlan), but the double-billing may have been more than he could manage at this stage of his career.

Not my favourite Film Noir. Quinlan is so disgusting. And somehow I find this movie was so cheap, many scenes are in the studio with artificial light. There are some very mean scenes, but somehow I just wanted to see the end.

Interesting title considering the studio recut it in a fight with Welles that ended in them not wanting to submit it for awards and him never working for a studio again. Also interesting is that Welles' character mirrored his life at that time. I saw the 1998 version, reconstructed from Welles' notes. It is fantastic, his 2nd best movie, just have to get past Charlton Heston as a Mexican.

The best, GREATEST thrilling gangster movie ever portrayed! With the best movie character ever portrayed: Orson Welles as Capt. Hank Quinlan! Plus the best movie quote ever spoken: "He was some kind of a man. What does it matter what you say about people?" And the best movie score ever composed!

An essential from Orson Welles. Police thriller with the well-known ingredents that makes works clockwise: crooked policemen, femmes fatale, an overwhemed atmosphere and intrigue.