Harry Potter and the Deathly Hallows: Part 2

The epic and impassioned close that the saga deserves, a sweeping Wagnerian finish that's taut with suspense and wet with emotion.

It's a climax of truly epic proportions.

Cinematographer Eduardo Serra underscores the sense of dread with a rich charcoal palette, and the outstanding CGI and 3D effects make the otherworldly threats more corporeal.

Overall, Part 2 tells a more compelling and emotionally fulfilling tale than the one related in Part 1, although that could be a result of this movie having a conclusion - something its predecessor notably lacked.

When the movie was over, a young boy sitting behind me said, "That was great!" He was satisfied, and rightly so.

HPATDH 2 works like a charm. A funereal charm, to be sure, but then, there's no time left for larks.

So ends this enormously important, and enormously extended, chapter of pop culture, with a combination of bang and whimper.

Harry Potter and the Deathly Hallows – Part 2. The Battle of Hogwarts. The film "Harry Potter and the Deathly Hallows: Part 2" is an epic conclusion to the popular saga about the wizard Harry Potter. Viewers are faced with emotional trials, epic battles and important decisions. In this part of the series, Harry Potter and his friends will have to finally fight Voldemort and his army of Dark Forces. The film amazes with visual effects, dramatic tension and stunning acting. The final part of the Harry Potter saga does not leave viewers indifferent, transferring them to the magical world of magic, friendship and sacrifice. "Harry Potter and the Deathly Hallows: Part 2" is a story about the power of friendship, love and the fight for good, which will leave an unforgettable impression and a warm feeling in the heart of every viewer.

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The second half of Harry's grand finale is better than the first, but still struggles to cope with too many characters, too little color and an overstuffed dance card. There's just so much going on, and it's all so excessively dim... Over-reliance upon book lore has been a long-term problem for this franchise, and that issue has only grown more pronounced as the film adaptations enter their final stretch. I have no idea how anyone could make sense of Deathly Hallows 2 without keeping a store of such information, fresh and reliable, somewhere in their noggin. Maybe a Cliff's Notes handbook and a hair-trigger pause button would suffice. Casually tossing about complicated concepts like wand allegiance, multiplying spells, hallows and horcruxes, the film skims along at a high speed, in breathless pursuit of flashier material. Of that, fortunately, there's plenty, and those bits are loaded with well-constructed callbacks to the previous films. The action scenes are constant highlights, excellent in concept and in execution; a fitting farewell, in their own way, for the series at large. Quieter character moments are more of a mixed bag. Snape gets his big spotlight scene, after being completely ignored in Part 1, but most of the younger cast members are swept up in the desperate search for a soul mate. Everybody just wants to pair off, to hit that convenient epilogue with a litter of kids tugging at their shoestrings. Despite simmering for years and years, in many cases, such romances play more like a series of checked boxes than natural, heartfelt outpourings of emotion. Ron and Hermione are a prime example. The moment of their long-germinating embrace was evidently a difficult scene for the actors, who literally grew up together on-set, and their discomfort is clear on the screen. The kiss feels like an awkward, instantly-regretted smooch between friends, not a grand culmination, and that robs power from these beloved characters' storybook ending. They probably should've got that out of the way several movies earlier anyway. Here, in the midst of a hectic chase and a frenzied battle, even an effective payoff would've been lost in the mix. Which is another recurring issue that this film never really settles. There's enough material for three movies in here (or a seven-hundred page book, as it were) and in trying to please everyone, to fit it all in, the whole package fades into a fleeting, dizzying wash. Nothing gets a chance to breathe, lest a different scene meet the cutting room floor. Crucial time is cut from meaningful points in the main narrative, dampening their impact, to cram in a few smaller, crowd-pleasing tidbits. But those, too, are over and done with so quickly that they hardly seem worth the effort. In the end, we get (nearly) everything, without necessitating another weird mid-stream cutaway, but nothing is half as rewarding as I'd expected. A stumble over the finish line, in other words; a film that hits the novel's plot points but completely misses its spirit. Could’ve been worse, I guess, but it also could’ve been so much better.

I dont know why but for me "Harry Potter" is boring film. Yeah, it's have some cool moments but not much.

Should not have tried to make a lot of changes in movie. Not sure if there was cost cutting needed to avoid animation wherever necessary. Even felt that actor actress were not showing maturity (Did not really tried to act)... Overall worst of the series as in adaptation... Climax fight which is very important... shame on you David