PC Critic Reviews

TASTEE: Lethal Tactics offers a full-featured package of deep strategic combat that manages to avoid overcomplicating things like controls and menus.

It’s fair to say that TASTEE is probably one of the most tactically fulfilling games on the market at the moment, but it’s also incredibly good fun and is not as complicated as it might at first seem.

TASTEE: Lethal Tactics is a perfect upgrade of already consolidated mechanics. It doesn’t offer major innovations, but its cartoonish graphics and characters’ unique abilities give it a unique twist.

A turn-based tactical effort that manages to deftly marry cheeky style with small scale strategy, TASTEE Lethal Tactics might not be the most groundbreaking effort around but its charm and accessibility make for a compellingly fun prospect.

From the school of Frozen Synapse, a plan-and-go turn based tactical game which is going to shine in multiplayer.

The gameplay dynamics of TASTEE are pretty much the same as Frozen Synapse, which is definitely a good thing, together with a cartoonish art direction and a user-friendly UI. The main campaign is a good challenge for everyone, but the best comes with the multiplayer modes.

TASTEE scratches a tactical itch in a Dark Souls-difficult, but ultimately rewarding way. The asymmetric multiplayer is unique in the genre, offering a new way to play. If you are a fan of deep strategy, ignore the goofy name and check out TASTEE: Lethal Tactics.

The concept of TASTEE works so well that any fans of strategy games should give it a try. It needs more content, but the online modes are solid enough to make the lack of content forgivable.

It's an intelligent, difficult game with a high barrier of entry, and without patience, you might not see how great it can be. But once you see the layers hidden beneath the surface, Tastee Lethal Tactics becomes an intricate game of cutthroat poker. It just takes a bit of frustration to buy in.

A respectable effort in turn-based strategy, but if you’re after a story and a welcoming hand, you’ve come to the wrong place.