Sophie Butcher

A stellar cast, a few laughs and some stylish filmmaking can’t quite make up for Over Your Dead Body’s lack of dimension and off-putting tone.

Charming performances from Bailey and Page can’t make up for the crushing levels of cringe. More an underwhelming pasta ready-meal than a fine-dining experience.

A one-of-a-kind cinematic experience from Mona Fastvold, shot in glorious 70mm, fuelled by music and movement that will shake your soul. See it on the big screen, if you can.

It doesn’t hit the heights of Raw and Titane, but strong performances and the moving familial drama mean Julia Ducournau’s third feature is still an impactful watch.

An anti-capitalist fable that lets down its star power with an underdeveloped script. All of Good Fortune’s good intentions don’t make up for it being such a mediocre time at the movies.

Derek Cianfrance delivers a hugely empathetic, very entertaining depiction of an extraordinary life, featuring one of Channing Tatum’s best performances. Expect laughs, tears, and noughties nostalgia.

The filmmaking is a tad formulaic, but On Swift Horses is a beautifully shot piece of period escapism with a mesmerising central performance from Daisy Edgar-Jones.

An entertaining, frivolous ride through a wacky, well-realised world, The Toxic Avenger is a charming underdog story offering plenty of laughs. The very opposite of toxic.

David Corenswet takes on the blue-and-red mantle admirably, and glimpses of Gunn’s signature sense of fun shine through — but a lack of humanity, originality and cohesion means the movie around them just doesn’t work.

Joseph Kosinski has done it again. F1 combines unparalleled access, pioneering filmmaking and moving redemption arcs to deliver an exhilarating cinematic experience. What will he attach a camera to next?