Scott Collura

Godzilla Minus Zero doesn’t disappoint in the slightest on the kaiju front, but does lack the same level of emotional resonance that its predecessor held.

Tiny Fugitives has some sweet moments in its tale of a group of kids who decide they want to live at sleepaway camp forever, but the film doesn’t quite know what it wants to be.

Runner is a paint-by-numbers action-comedy that benefits from Alan Ritchson’s well-practiced stunt craft as well as Owen Wilson’s likable comedic stylings.

Gal Gadot does everything she can to keep The Runner, well, running, but despite some decent set pieces, the film is ultimately unsatisfying.

John Boorman and the Devil is a fun and engrossing look at the creation of what is considered to be one of the worst sequels ever made.

It Ends manages to be both creepy and amusing thanks to its likable cast and filmmaker Alexander Ullom’s ability to exploit minimal resources to maximum effect.

The Odyssey isn’t perfect, but it’s a pretty great moviegoing experience all the same.

Guillermo del Toro’s Frankenstein is a crowning achievement for the beloved genre director and one of the most effective adaptations of the Mary Shelley story ever put to film.

Dune is a gorgeous but imperfect epic, a technical wonder that spends too much time setting up a third act that never comes.

Director Zobel and writers Lindelof and Cuse, peering through the lens of social media hijinks and polarized politics, paint a ridiculous picture of how we’re all eating ourselves alive. That they do so in such a fun and absurdly bloody way makes The Hunt worth a retweet at the very least.