Scott Collura

Guillermo del Toro’s Frankenstein is a crowning achievement for the beloved genre director and one of the most effective adaptations of the Mary Shelley story ever put to film.

Dune is a gorgeous but imperfect epic, a technical wonder that spends too much time setting up a third act that never comes.

Director Zobel and writers Lindelof and Cuse, peering through the lens of social media hijinks and polarized politics, paint a ridiculous picture of how we’re all eating ourselves alive. That they do so in such a fun and absurdly bloody way makes The Hunt worth a retweet at the very least.

A fun exercise in giant monster madness that indulges in all the kaiju fights fans and even casual viewers could hope for. It looks amazing while also giving its human characters a chance to stay interesting amid all the battling beasties by providing them with some really cool tech -- and some great one-liners among the supporting players. Unfortunately, the film’s plot is needlessly confusing, and not all that smart at times, and the lead characters could’ve used a little more fleshing out.

Using the strength of its powerful and interesting villain to set the stakes higher than ever, Avengers: Infinity War successfully brings together the past 10 years of Marvel movies into a largely effective cocktail of super-heroic dramatics.

Liam Neeson is back with The Commuter, though viewers may wind up wishing they bought a ticket to a different train.

Directed by the team of Mark Neveldine and Brian Taylor, the new film brings all the cartoonish insanity of the pair's Crank saga to the -- let's face it -- cartoonishly insane concept of the Ghost Rider, a burning skeleton in leather who rides an equally fiery motorcycle. It's a match made in, er, hell.

What was boring and dull to our 12-year-old selves back when Dad was watching this film 25 years ago is now a thoroughly engrossing and satisfying film experience, and a reminder that what is old can be new again -- whether it's Newman's Galvin's outlook on life, an old courtroom drama premise, or a movie revisited after a quarter century lapse.

Stephen Sommers' throwback to adventure films and screwball comedies has managed to become a modern classic, and a paean to a type of movie that rarely gets made these days.

Usually the fight sequences are great but the movie itself is poor.