Philip Kemp

This latest Millennium movie smooths out the series’ earlier quirks. But there’s action galore and Foy makes a poised, dangerous heroine.

An Oscar-aimed turn from Gary Oldman anchors this WW2 portrait of Churchill at his most beleaguered.

Alain Gomis’ film paints a lacerating picture of a raucous, dangerous city.

From multi-talented Belgian/Canadian duo Dominique Abel and his partner Fiona Gordon comes a slice of light-hearted whimsy.

Marx, Tristan Tzara, André Breton, Werner Herzog; Constructivism, Dadaism, Futurism… on it goes. Impressive, sure, but ultimately stultifying.

Disturbing and often distressing, but compulsively watchable.

There’s a neat final twist up [Attila Till’s] sleeve – and by casting paraplegics, he avoids the easy sentimentality that subjects such as this often invite.

The sense of angry desperation overwhelms.

A complex film that sidesteps every cliché. Paul Verhoeven and Isabelle Huppert are at the top of their game.

Skvortsov gives a scarily grim-faced performance, with biology teacher Elena (Viktoriya Isakova) increasingly beleaguered as the only one resisting him.