Kent Hill

After the Rain: Putin’s Stolen Children Come Home is both heart-warming and wrenching in equal measure.

Maldoror is a picture that evokes memories of great filmmakers and their contributions to the genre, whilst remaining culturally unique and period-perfect.

Signing Tony Raymond is as feel-good as Moneyball.

Little Trouble Girls succeeds as a combination of poetic visual compositions and vibrant, dynamic performances from the female leads.

It’s rare that something as formulaic as an action thriller could be so moving.

The documentary feels like something that could have been deeply engrossing had the filmmaker selected an alternate narrative structure. He needed to deliver more than surface without substance.

Writer/director Schwab has crafted a piece that is beautiful, austere, and terrifying.

Vice is Broke isn’t the ‘hit piece’ of its maker assets. It’s a valentine to the youth and the exuberance with which movements, literary or otherwise, ascend, make their mark, and then are heard from nevermore.

Saint Clare will sneak up on you as it did me. It’s a murder mystery with dark horrors and giggles blended delectably.

It’s sharksploitation at its finest.