Brad Wheeler

This is a 3-D film sorely lacking in dimension. Hit me hard, hit me soft, Cameron, but hit me with something.

The accurately titled EPiC is the greatest concert documentary ever made.

It is a slow-moving, self-insistent and exhausting trip. The end can’t come soon enough.

Better Man is a triumph of cheek and imagination. Gracey attempts much but actually manages to accomplish all that he set out to do.

Denied a second act, Shane is recognized with a heartfelt film that celebrates an undersung icon who lived her authentic self, sparkled on her own terms and defied the squares.

At its worst, the film is an homage to Dion’s presented indomitability. At its best, it serves as a compelling portrait of a powerhouse performer’s lifeblood love of stage and audience.

The film is a level-headed look at artists who promoted joy but lost their own.

Raw and electrically presented, Civil War is an ugly odyssey and an audacious premonition.

It is a fun, serviceable, family-oriented exercise in reprise that counts on nostalgia as it brings history and present day together.

Although One Love is not a great music biopic, it serves as an acceptable portrait of the man.