luckylinden

The "British Brokeback Mountain" label that follows this film around is really unfair as it sells what is a magical move in its own right (and a stunning feature film directorial debut) really **** film is paced so well (I'm a fan of slow, gentle pacing that lets a story unfold; I know others might find it boring), giving us time to really get to know the characters and immerse ourselves in their world so that the plot evolution hits the way its supposed **** cast is phenomenal, bringing depth and realism to their performances, it's easy to feel the emotions they feel. The way the film handles intimacy and sexual tension is both sensitive and raw, making the characters' connection feel incredibly **** thing I really liked is how it does a good job steering clear of typical love story clichés. It's not just a film about rural hardship; it's about the challenge of loving and being loved, especially in a setting where such stories usually end in tragedy. The film has this unique ability to depict the gritty reality of farm life, complete with the mud and the livestock, while simultaneously exploring the complex emotional landscape of its ****'s not another BROKEBACK MOUNTAIN and it's not just another "gay love story." It's its own film and it beautifully depicts a relationship filled with hope and fulfillment, challenging the often tragic narratives we see in rural settings.

I rewatched LATTER DAYS this weekend and it is an interesting case, because I honestly don't think it holds up that well (in terms of the acting, pacing, story, etc.) but I also realized how important a film it is and how it may be underrecognized on this front. This was a groundbreaking work on a lot of fronts, providing onscreen representation and voice to several underrepresented segments and experiences in society. By today's standards, the romance feels Lifetime movie-esque, but at the times, it was unheard of for a movie like this to be so successful on a number of fronts, and just because a Lifetime movie is a bit sappy or predictable doesn't mean it's not enjoyable, and that's true of the romantic tropes here, for sure. I recommend this film to anyone interested in gay cinema, independent cinema, and the evolution of both over recent decades.