frojk

I'm honestly struggling to find things wrong with this gameEven though it's difficult, and it can get annoying dying over and over at times, the fact that it all ties into the story, where as you progress, everything Madeline says starts making more sense to you as a player, and you start applying all the things the other characters say to yourself as a player, just makes it an experience unlike anything else i've tried in any form of media

While not nearly as strong as Borderlands 2, it has enough elements that connects the two, that it becomes an enjoyable experience still

I still don't understand how a game with such insufferable dialogue, that is such a product of it's time that it almost removes the nostalgia for the early 2010's, can give some of the best looter shooter gameplay out there at the same time

Unlike it's predecessor LIMBO, INSIDE has a heavy emphasis on very abstract storytelling. While it still has puzzles that will have you scratching your head, it's clear that the studio used it's 6 years in development to make a much more visually striking game, that serves as a greater vehicle for the storytelling. But as someone who isn't that great at interpreting all of this, even days after completing it, it falld a bit flat for me

A challenging platformer that leaves you thinking about the meaning of it all for multiple days afterwards

It's so crazy how Mario just kept innovating and getting better throughout such a long lifespan. Really one of the things that give you hope for modern gaming, even though it isn't that modern in 2025 No matter who i show this game to, if it's someone that has been playing games their whole life, or someone that never has, somehow both parts can get equal enjoyment out of the experience. That's truly something special