duck_at_dusk

That's a film that I liked. I didn't really understand it, but honestly this usually makes films better for me. Loved its climate, black and white 4:3, and especially it being a psychological horror sea **** you liked this film I strongly recommend reading ‘The Rime of the Ancient Mariner' poem by Samuel Taylor Coleridge from 1798 as they both share this kind of DNA of exploring guilt and madness.

It has such a dense atmosphere. Streets full of people and chaotic handheld camera movement following the chase through these crowds were my favorites. And it feels nice to watch Harrison Ford acting. Uh and what it means to be human?

'Sorry, Baby' didn’t make me question the authenticity of its characters, dialogue or places. Humor works here because it’s grounded in reality and failures of people. Both Agnes and Lydia have their genuine quirkiness that reassures viewers everyone is weird, and that it’s okay to be weird. Beneath that humor, however, lies an honest debut about pain and aftermath of sexual assault.

A quiet, beautiful contemplation on human connections. almost as if the same ability that allows us to form deep bonds also creates our sense of solitude. To balance this, the director shows importance of noticing small things, shadows and reflections. A meditation on the passage of time and human relationships binds it all together.

There's one film before and after the hour-long sequence of sex scenes, and I only loved that one film. while the sequence explores desire and violence, I preferred the mystery and the dread that frame it. How these two parts connect to each other is an unsolvable mystery, and I liked that too. In the end, the highway has two lanes and both are lost.