The result is a collection of futile, brooding songs that tries to encapsulate bigger-than-life emotions but ends up being too afraid to truly delve into them. He could just need a little love from someone, anyone, to get that refined taste back.
The thoroughly inquisitive but incessant introspection is given a leg-up by the equally if not more considered instrumentals that grace the record – a strength owed to waterbaby’s existing classical prowess.
Something We All Got is the third album from the Toronto group and the recipe of buzzing, breathless quite often vulnerable sound has been matured and given new life.
If the odd long term listener might suggest Nothing's About To Happen To Me is a touch risk averse, the majority of Mitski fans will be more than satisfied with another serving of seriously good stuff.
The result is the most substantial and satisfying Gorillaz album since the widescreen 2005 art-pop masterpiece Demon Days and its almost as impressive successor, 2010’s sprawling Plastic Beach.
There are a few tracks that are decent rather than great, and the 36-minute runtime leaves it feeling a little too brief. That being said, it’s always a good thing to leave your audience wanting more, and Baby Keem certainly does that.
