SummarySocially inept and saddled with a miserable job, Willard shares a powerful bond with the rats who dwell in his basement. When Willard's world is turned upside down by tragedy, those responsible must answer to his rapidly growing pack of ravenous, fearsome friends. (New Line Cinema)
Directed By:Glen Morgan
Written By:Glen Morgan, Gilbert Ralston, Stephen Gilbert
Willard
Metascore
Generally Favorable
61
User score
Generally Favorable
6.4
My Score
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Metascore
Generally Favorable
61
71% Positive
22 Reviews
22 Reviews
19% Mixed
6 Reviews
6 Reviews
10% Negative
3 Reviews
3 Reviews
100
Willard doesn’t try to be great art (although if you really think about it, there are plenty of themes borrowed from “Hamlet,” “The Birds” and “Frankenstein” to name a few). Willard just is.
80
It only takes rat trainers and CGI artists to create swarms of vermin, but it takes a twisted kind of genius to treat them as equals.
75
The new version is actually better. It's still a fairly ham-handed revenge-of-the-nerd horror fable, but you don't go to a movie like Willard for subtlety. You go to be skeeved out by rats, rats, and more rats, and I'm tempted to say that Willard does a fairly rat-tastic job of it.
70
Has plenty of dark horror style, but it lacks the weird charm of the 1971 original starring Bruce Davison...It's a nice homage.
63
There is real wit in Glover's performance. And wit, too, in R. Lee Ermey's performance as the boss, which draws heavily on Ermey's real-life experience as a drill sergeant.
50
The chills are functional at best and the attempts at pathos negligible.
20
Everything that was modest, soundly grounded and therefore horrifying about the 1971 rodentarama that starred Bruce Davison is now insistent, Grand-Guignol-intense and therefore shrug-offable when it isn't downright awful.
User score
Generally Favorable
6.4
39% Positive
9 Ratings
9 Ratings
57% Mixed
13 Ratings
13 Ratings
4% Negative
1 Rating
1 Rating
Dec 11, 2016
8
Crispin Glover was born for this role, it is what it is. It has lots of fun, provides layer of social class commentary and has maybe the greatest performance by a movie animal in history -- Ben, the fat rat, the bad rat, the poor rat who just wants a friend rat. It's amazing how you go from feeling bad for Willard, to despising him, fearing him and then back again. Willard is picked on by his boss, and his mother, and he in turn picks on Ben (while favoring Socrates) who in turn leads a revolt against Willard who is leading a revolt against his boss. I find it hard to use the word complex when describing a killer rats movie, but that's just what this is. Willard is no hero--he's not just a sad sack the world hates and the
audience is asked to feel sorry for--he's flesh and blood and he perpetuates all the things he hates and you can simultaneously root for him and against him. It's incredible how poorly he receives the little bit of companionship he gets from the new girl in the office, as a result of his lingering fears of being rejected and picked on by females his whole life. There's only one gratuitous CGI rats scene, the rest is all too real. Socrates's death is one for the ages. I want more Glover in everything.
Feb 16, 2022
5
This is quite a dark tale about one of society's rejects forming a bond with a large number of rats that act as his friend and also his enemy. The film is interesting and very well made. The rats are a character in this movie just as the people are. The effects are totally convincing as is the acting. My only minor gripe would be that the content is not very inspiring. It is intriguing but I felt that something was missing. Overall it was totally enthralling dark fairytale with some mild humour and a little fear.
Production Company:
- New Line Cinema
- Hard Eight Pictures
Release Date:Mar 14, 2003
Duration:1 h 40 m
Rating:PG-13
Tagline:A new breed of friendship.
Awards
Fangoria Chainsaw Awards
• 2 Nominations
Canadian Society of Cinematographers Awards
• 1 Win & 1 Nomination
Satellite Awards
• 1 Nomination

































