Critic Reviews

The movie is essentially a series of conversations punctuated by brief, violent interludes. It's all style. It isn't violence or chases, but the way the actors look, move, speak and embody their characters.

The Maltese Falcon is an unassailable triumph of script, casting, direction and editing.

The film that brought the detective movie into the modern world, complete with novel film-noir techniques (shadows, low-angled shots, anti-heroes and duplicitous dames) and assembled one of the most enjoyable casts ever to play off each other.

It's the slickest exercise in cerebration that has hit the screen in many months, and it is also one of the most compelling nervous-laughter provokers yet.

On a number of accounts it is distinguished celluloid entertainment, but it is of great interest to the trade because it reveals, in startling terms, the unheralded talent of topflight scenarist, John Huston, who, in the dual capacity of writer and director of this picture, is now entitled to take his place among the most important creative artists in the industry.

This is one of the best examples of actionful and suspenseful melodramatic story telling in cinematic form. Unfolding a most intriguing and entertaining murder mystery, picture displays outstanding excellence in writing, direction, acting and editing--combining in overall as a prize package of entertainment for widest audience appeal.

A stunning directorial debut from screenwriter John Huston.

Boldly manipulating light and shadow, utilizing drastic camera angles, and introducing Bogart’s Sam Spade, the first-time director’s detective classic defines film noir.

The Maltese Falcon is frighteningly good evidence that the British (Alfred Hitchcock, Carol Reed, et al.) have no monopoly on the technique of making mystery films. A remake of Dashiell Hammett's hard-boiled mystery, it is rich raw beef right off the U.S. range.

An almost perfect visual equivalent of the Dashiell Hammett thriller...It is (and this is rare in American films) a work of entertainment that is yet so skillfully constructed that after many years and many viewings it has the same brittle explosiveness - and even some of the same surprise - that it had in its first run.