Return to Sender

Although their could be a slight difference between having a lost lover contingent between having directors, and people see that having a slight direction of a woman planning out a way to stay on top, dominate others and still keep a performance. Living out the Idea that Gone Girl, was on the top and between the two films, you could see at least she keeps the Ideas alive that expects male counterparts to exert beyond the so called narrative of a female up-standish-ness should or should not be moderated by a man. Any person to butt into someones life and live over the top of it. Thinking this is funny that this male counterpart tried to extablish that he could not dominate over this slow predictable dead air, genre.

In terms of plot, Fouad Mikati’s film presents a story we have seen on screen many times before: a **** victim takes matters into her own hands to exact revenge on her attacker. For much of the film, Mikati attempts to frame the narrative as a romance in order to conceal the protagonist's true intentions. While he succeeds in doing so, the approach feels rather implausible at times. Moreover, this narrative choice unfortunately comes at the expense of genuine suspense. The result is a watchable film, but one that, in my view, lacks consistent execution.