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SummaryCriminals Fox (Walken) and X (Dafoe) use and Italian prostitute (Argento) to seduce a Japanese genetic scientist and learn his secrets.

New Rose Hotel

Metascore
Generally Unfavorable
31
User score
Generally Favorable
7.4
My Score
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Metascore
Generally Unfavorable
31
0% Positive
0 Reviews
56% Mixed
5 Reviews
44% Negative
4 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
60
Chicago Reader
On the very edge of coherence -- but I find its decadent erotic poetry irresistible.
50
Christian Science Monitor
Quirky acting combines with Ferrara's dark, brooding style to give the throwaway story a noteworthy measure of dramatic and cinematic interest.
User score
Generally Favorable
7.4
69% Positive
9 Ratings
23% Mixed
3 Ratings
8% Negative
1 Rating
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Jul 26, 2024
10
Lkahgvaa
I liked the music. It was well connected. The director managed to make a really beautiful movie. You just have to go and see
Oct 5, 2015
8
RobertBrogan
New Rose Hotel, I admit, is not actually a good movie (though it is). It lacks in dramatic tension and in substance, material. Why do some rate it up then? I do so for the style and the acting. I think you have to be a fan of Walken, Defoe, literature, noir, and enjoy looking at Argento red lit to be able to rate this one up.
50
New York Post
It's moody and atmospheric. But with the exception of a few cool moments that remind you of Ferrara at his best, it's dull and written with little attention paid to basic storytelling.
30
L.A. Weekly
The first two-thirds are turgid enough; in the last, Ferrara begins replaying scenes we've already seen earlier in the film.
20
Village Voice
What's on the screen is so dreadful that it inspires the ontological question "What are films and why is this not one of them?"
See All 9 Critic Reviews
Feb 12, 2022
3
JLuis_001
Too chaotic for its own good, mostly because the experience feels too spaced out in a concept that doesn't make its characters or the situations they are undergoing somehow more substantial to the viewer, or maybe it was my problem because of the massive lack of interest I developed in the story and its protagonists. A very poor film from Abel Ferrara.
See All 13 User Reviews
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  • Pressman Film
  • Quadra Entertainment
Oct 8, 1999
1 h 33 m
R
Venice Film Festival
• 2 Wins & 3 Nominations
Sitges - Catalonian International Film Festival
• 1 Nomination
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