Need For Speed

It's the cars, and the mega-horsepowered action, that matter most. With its driver-POV spinouts, wrong-way chases, and multilane median jumps, the movie is a roaring revel of an automotive fantasy.

This is cinema reduced or distilled to its purest definition, of movies that move. If you want dewy humanity in your entertainment, watch Lifetime.

Credit to Aaron Paul for fully committing to this ridiculousness. There isn’t a scene he doesn’t play with the utmost seriousness.

The racing scenes are its one hope of reclaiming your attention, but there aren’t nearly enough of them to justify such a killing duration.

Ostensibly meant to be light entertainment. If light is synonymous with preposterous, frenetic and noisy, it qualifies.

From the start, Need for Speed smells like a movie in search of a franchise. On that count, it’s somewhat fast but seldom furious.

Scott Waugh's moronic flick has multiple personalities — it's the Sibyl of street racing, with a script that doesn't feel so much typed as button-mashed.

Filme muito bom bastante cenas de ação história boa e bonita e eu gostei muito maneiro

----------------------------------6.0/10-----------------------------------

If you are looking for a decent plot, you will not find it here. The characters are corny and cliche, and the whole concept of a race for revenge is pitiful. But that was not the point of this movie. This movie is about stunts and action, just like the video games. The stunts get to the point of absurdity, like when a car gets a helicopter lift across a canyon. The racetrack gets overcrowded by discoordinated cops and gratuitous car smashing, just like my favourite racing games. This movie is for anyone who wants to watch fast cars and/or love the Need For Speed games.

This movie doesn't need the speed. It already got the speed taken from several other racing movies instead of taking it from the video games that adapted this movie. This movie makes the video games look bad.

[SPOILER ALERT: This review contains spoilers.]