
Critic Reviews
83
Metascore
Universal Acclaim
positive
10(91%)
mixed
1(9%)
negative
0(0%)
Showing 11 Critic Reviews
Dec 12, 2010
100
Damien Chazelle's extraordinary black-and-white retro dream of a feature debut.
Dec 12, 2010
91
If John Cassavetes had directed a jazz musical by Jacques Demy, it might have looked something like this.
Dec 12, 2010
90
Visually distinctive and aurally delightful, "Guy and Madeline on a Park Bench" has style to burn. A soulful black-and-white commentary on love, art and their competing demands, this Boston-based musical from Damien Chazelle floats on a wave of spontaneity and charm.
Dec 12, 2010
90
Guy and Madeline is at once self-conscious and breezy, clumsy and deft, diffident and sweet, annoying and ecstatic. It's amateurish in the best sense, and it radiates cinephilia. No movie I've seen this year has given me more joy.
Dec 7, 2010
88
Guy and Madeline is a decidedly modern film, whose frightened, impulsive, charming characters could walk into our lives tomorrow.
Dec 9, 2010
80
You might want to tuck Damien Chazelle's name into your memory bank if his filmmaking debut, the terrific jazz improvisation that is Guy and Madeline on a Park Bench, is any indication of what his future might hold.
Dec 16, 2010
75
Not only does the movie look like it's set somewhere, it feels, cinematically, to have arrived from someplace - early John Cassavetes, the French New Wave, Eastern Europe.
Oct 10, 2018
75
Guy and Madeline on a Park Bench has more ambition than its talent can possibly live up to, but itβs an invigorating experience nonetheless.
Dec 12, 2010
70
Equally nostalgic and fresh-faced, Guy and Madeline on a Park Bench is a bohemian musical that owes as much to Cassavetes "Shadows" as it does the French musicals of the '30s.