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SummarySissy (Thurman), a young woman with large thumbs hitchhikes across the country and meets a group of cowgirls lead by Bonanza Jellybean (Phoenix).

Directed By:Gus Van Sant

Even Cowgirls Get the Blues

Metascore
Generally Unfavorable
28
User score
Generally Favorable
6.6
My Score
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Metascore
Generally Unfavorable
28
6% Positive
1 Review
31% Mixed
5 Reviews
63% Negative
10 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
63
Chicago Tribune
The movie contains its moments, charms and felicities-even its sharp stings of pleasure and pain. [20 May 1994]
50
Austin Chronicle
Unfortunately, for a number of reasons, the movie does not work, though it's difficult to sort out the “what is” from the “what was” and “what might have been.”
40
Chicago Reader
While the results are both cheerful and occasionally inventive, they can't hold a candle to his previous features; too many jokey asides and cameos - not to mention an overdose of plot - keep getting in the way.
30
The New York Times
One of the many problems with Gus Van Sant's tortured, worked-over Even Cowgirls Get the Blues is that Sissy Hankshaw talks like a novel, and a dated one at that.
25
The Globe and Mail (Toronto)
Writer/director Gus Van Sant, who's built his reputation on the romantic decadence of "Drugstore Cowboy" and "My Own Private Idaho," completely misses the poetry and the irony of the book. [20 May 1994]
12
Chicago Sun-Times
Even Cowgirls Get the Blues is one of the more empty, pointless, baffling films I can remember, and the experience of viewing it is an exercise in nothingness.
0
Entertainment Weekly
Cowgirls, a flaky-surreal adaptation of Tom Robbins' 1976 feminist hipster road novel, finds the director of "Drugstore Cowboy" and "My Own Private Idaho" lost in the ozone of his own private whimsies.
See All 16 Critic Reviews
User score
Generally Favorable
6.6
57% Positive
8 Ratings
14% Mixed
2 Ratings
29% Negative
4 Ratings
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  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Feb 3, 2017
5
Trailesque
This is fun to watch, and it does bring Tom Robbins' humor and storytelling to life onscreen, which is nice - but it also demonstrates how hard it is to do that successfully. There are lot of nice shots and loony laughs, and I could watch Uma all day. Despite the big name cast, a fair amount of it falls flat. This got me thinking that Robbins' unique prose is the real secret sauce of his work, not his wacky plots and left-of-center characters.
See All 14 User Reviews
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  • New Line Cinema
  • Fourth Vision
May 24, 1994
1 h 46 m
R
There have been many great drivers but only one great passenger.
Razzie Awards
• 2 Nominations
Dallas-Fort Worth Film Critics Association Awards
• 1 Nomination
Venice Film Festival
• 1 Nomination
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